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Orson Welles' radio adaptation of H. G. Wells' classic novel The War of the Worlds was performed by Mercury Theatre on the Air as a Halloween special on October 30, 1938. The live broadcast reportedly frightened many listeners into believing that an actual Martian invasion was in progress, despite frequent reminders that the broadcast was only a dramatization. Welles's adaptation is possibly the most successful radio dramatic production in history. It was one of the Radio Project's first studies.
Broadcast H. G. Wells' novel is about a Martian invasion of Earth at the end of the 19th century, as related by a narrator seeing the events unfold in England. The radioplay's story was adapted by and written primarily by Howard Koch, with input from Orson Welles and the staff of CBS's Mercury Theater On The Air. The action was transferred to contemporary Grover's Mill, a community that has since been annexed by West Windsor Township, New Jersey, and the radio program's format was meant to simulate a live newscast of developing events. To this end, Welles even played recordings of Herbert Morrison's radio reports of the ''Hindenburg'' disaster to actor Frank Readick and the rest of the cast to demonstrate the mood he wanted. About half of the 55-minute play was a contemporary retelling of the events of the novel, presented as a series of news bulletins in documentary style. This approach to radio drama was not exactly new. Fr. Ronald Knox's satirical "newscast" of a riot overtaking London over the British Broadcasting Company in 1926 had taken a similar approach (and created much the same effect upon its audience). Welles had himself also been influenced by the Archibald MacLeish dramas The Fall of The City and Air Raid, the former using Welles himself in the role of a live radio news reporter. But the approach had never been done before with as much continued verisimilitude*), and the innovative format has been cited as a key factor in the confusion that would follow. The program, broadcast from the 20th floor at 485 Madison Avenue (in New York City), started with an introduction and a short introduction to the intentions of the aliens, and noted that the adaptation was set in 1939. The program continued as an apparently ordinary music show, only occasionally interrupted by news flashes. Initially, the news is of strange explosions sighted on Mars. The news reports grew more frequent and increasingly ominous after a "meteorite"—later revealed as a Martian rocket capsule—lands in New Jersey. A crowd gathers at the landing site, and the events are related by reporter "Carl Philips" until the Martians incinerate curious onlookers with their "Heat-Rays." (Later surveys indicate that many listeners heard only this portion of the show before contacting neighbors or family to inquire about the broadcast. Many of these people contacted others, in turn; leading to rumors and later confusion.) More Martian ships land, and then proceed to wreak havoc throughout the United States, destroying bridges and railroads, and spraying a poison gas into the air. An unnamed Secretary of the Interior advises the nation on the growing conflict. (The "secretary" was originally intended to be a portrayal of Franklin Delano Roosevelt, then President, but CBS insisted this detail, among others, be changed. The "secretary" did, however, sound very much like Roosevelt as the result of directions given to actor Kenny Delmar by Welles.) Military forces attack the Martians, but are unable to fight them off. People flee or gather in churches to pray as the Martian machines head towards New York City, spraying poison gas in the air. This section ends famously: a news reporter (played by Ray Collins) broadcasts atop the CBS building, reports the Martians invading New York City, then he too collapses from the poison gas, and a radio operator is heard desperately calling out "2X2L calling CQ ... Isn't there anyone on the air? Isn't there anyone on the air? Isn't there ... anyone?" The last portion of the broadcast was a monologue and dialog featuring Welles, portraying "noted astronomer" Professor Richard Peirson, who had earlier commented on the strange Martian explosions. The story ends as does the novel, with the Martians falling victim to earthly germs and bacteria. After the play ends, Welles breaks character to remind listeners that the broadcast was only a Halloween concoction, the equivalent of dressing up in a sheet and saying "Boo" like a ghost. An urban legend claims this "disclaimer" was added to the broadcast at the insistence of CBS executives as they became aware of the panic inspired by the program; in actuality, it appears in Howard Koch's working script for the radio play as presented in his 1968 book The Panic Broadcast. Public reaction
Aftermath In the aftermath of the reported panic, a public outcry arose, but CBS informed officials that listeners were reminded throughout the broadcast that it was only a performance. Welles and the Mercury Theatre escaped punishment, but not censure, and CBS had to promise never again to use the "we interrupt this programme" device for dramatic purposes. A study by the Radio Project discovered that most of the people who panicked presumed that Germans — not Martians — had invaded. Other studies have suggested that the extent of the panic was exaggerated by contemporary media. When a meeting between H. G. Wells and Orson Welles was broadcast on Radio KTSA San Antonio on October 28, 1940, Wells expressed a lack of understanding of the apparent panic and suggested that it was, perhaps, only pretence, like the American version of Halloween, for fun. The two men and their radio interviewer joked about the matter, though clearly with some embarrassment. KTSA, as a CBS affiliate, had carried the original broadcast. Both the War of the Worlds broadcast and the panic it created have become textbook examples of mass hysteria and the delusions of crowds. Conspiracy theory It has been suggested in recent years that the War of the Worlds broadcast was actually a psychological warfare experiment. In the 1999 documentary, Masters of the Universe: The Secret Birth of the Federal Reserve, writer Daniel Hopsicker claims that the Rockefeller Foundation actually funded the broadcast, studied the ensuing panic, and compiled a report that was only available to a chosen few. A variation of this conspiracy theory has the Princeton Radio Project and the Rockefeller Foundation as co-conspirators. *. This seems at odds with the fact that the Mercury Theatre's broadcasts over CBS before December 1938 did not contain any sponsorship announcements, and the competing Chase & Sanborn Hour on NBC originated from studios in Manhattan's Rockefeller Center complex. There has been continued speculation that the panic generated by the War of the Worlds broadcast inspired officials to cover up unidentified flying object evidence, to avoid a similar panic. Indeed, U.S. Air Force Captain Edward J. Ruppelt wrote in 1956, "The U.S. government's UFO files are full of references to the near mass panic of October 30, 1938, when Orson Welles presented his now famous The War of the Worlds broadcast." Ironically, in a theatrical trailer for his film F For Fake, Welles joked about such theories, jesting that the broadcast indeed "had secret sponsors." Popularity Beginning in 2006, Three Eagles Comunications station, Star 106, KLSS (106.1 FM), will broadcast the radio program on Halloween in Northern Iowa and Southern Minnesota beginning at 6pm central time. The Los Angeles CBS affiliate radio station, KNX (1070 AM), re-broadcasts the radio program every year on Halloween and in 2006 the Florida, NY based independent radio station WTBQ (1110 AM) is planning a broadcast on Halloween using a slightly modified script and with local actors. On September 9, 1957, CBS' prestigious life-television program, Studio One, opened its tenth season with Nelson Bond's The Night America Trembled, the first dramatization of the public panic to the radio adaptation of Wells' novel. The hour-long production was narrated by Edward R. Murrow and featured such future stars as Ed Asner, James Coburn, Warren Oates, and Warren Beatty. A 1975 television film for ABC, Howard Koch and Nicholas Meyer's The Night That Panicked America, also dramatizes the public's panicked reaction to the broadcast, but comes across as a fairly standard disaster movie (albeit one in which the disaster is assumed rather than actual). The production included Vic Morrow, Meredith Baxter, Michael Constantine, John Ritter, Will Geer and Tom Bosley. The script was also updated and broadcast by PBS on the 50th anniversary of the original radio play in 1988. It starred Jason Robards, Steve Allen, Douglas Edwards, Scott Simon and Terry Gross and was nominated for a Grammy Award. In 1994 the L.A. Theater Works' The Play's the Thing and KPCC rebroadcast the original radio play before a live audience, featuring actors from the various Star Trek television shows, including: Leonard Nimoy, Wil Wheaton, Gates McFadden, Brent Spiner, and Armin Shimerman. John de Lancie served as the director. Recordings of the broadcast are still available (see old-time radio). Recently, radio show host Glenn Beck did a live version as well in honor of the drama on Halloween. XM Satellite Radio has broadcast a new version called Not From Space in recent years in which Microsoft's Bill Gates is one of the Martians. Influence It is sometimes said that the news of the Japanese attack on Pearl Harbor was first received in skepticism by the American public, as a consequence of the radio performance. Amazingly enough, the drama has been rewritten to apply to other locations and rebroadcast, with similar results: Because of the panic in the 1930s and 1940s associated with this radio play, U.S. TV networks have deemed it necessary to post bulletins to their viewing audience to inform them some TV stories were in fact fictional drama, and not really happening. Disclaimers of this sort were shown during broadcasts of the 1983 television movie Special Bulletin and again during the 1994 telefilm, Without Warning, both of which were dramas disguised as realistic news broadcasts (Without Warning, presenting an alien attack on Earth, acknowledged that it was a tribute to War of the Worlds and was broadcast on CBS TV on the 56th anniversary of the radio broadcast). NBC placed disclaimers in an October 1999 TV movie dramatizing the possible disastrous effects of the Y2K bug even though it was obviously drama and was unlikely to be confused with reality. Possible influence on Welles A 2005 BBC report suggested that Welles' idea and style may have been influenced by an earlier 1926 hoax broadcast by Ronald Knox on BBC radio. Knox's broadcast also mixes breathless reporting of a revolution sweeping across London with dance music and sound effects of destruction. Moreover, Knox's broadcast also caused a minor panic among listeners who did not know that the program was fictional. A somewhat similar hoax from 1874 used wild animals rather than aliens claiming that they were escaping from New York Central Park Zoo and this also seems to have generated some public panic.* See also Sources | ||||||||||
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