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    Patton is a biographical film which tells the story of General George Patton's commands during World War II. It stars George C. Scott, Karl Malden, and Michael Bates. It won many Academy Awards, including the Academy Award for Best Picture. The opening monologue, delivered by Scott with an enormous American flag behind him, remains an iconic image in film.

    In 2003 the United States Library of Congress deemed the film "culturally significant" and selected it for preservation in the National Film Registry.


        Patton (film)
            Plot
            Family objects to Production
            The Film
            Awards
            Cast
            Sequels
            Trivia
    NamePatton
    image
    Captionoriginal film poster
    WriterLadislas Farago
    (book Patton: Ordeal and T...
    StarringGeorge C. Scott
    Karl Malden
    Michael Bat...
    DirectorFranklin J. Schaffner
    ProducerFrank McCarthy
    Distributor20th Century Fox
    MusicJerry Goldsmith
    ReleasedFebruary 4 1970 (USA)
    Runtime170 min.
    LanguageEnglish language
    Imdb Id0066206
    Budget$12,000,000 (est.)

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    Plot

    The film documents the story of General George S. Patton (George C. Scott) during World War II, beginning with his taking charge of demoralized American forces in North Africa after the disastrous Battle of the Kasserine Pass. He participates in the invasion of Sicily and races against the equally egotistical British General Montgomery to capture the port of Messina. After he beats Montgomery into the city, he is relieved of command for slapping a shell-shocked soldier in an Army hospital and threatening him with one of his signature ivory-handled .45-caliber pistols. Later, he begs his former subordinate, General Omar Bradley (Karl Malden), for a command before the war ends. He is given the U.S. Third Army, and distinguishes himself by leading it in relieving the vital town of Bastogne during the Battle of the Bulge, following on with the
    famously rapid movement of his tank corps into the Nazi homeland, and implies its role in the rapid defeat of Germany.

    The movie depicts some of Patton's more controversial actions, e.g. his remarks following the fall of Germany, comparing the Nazis to losers in American political elections. Although he is shown to be a military genius, the film does not try to conceal the darker, more elitist and brutal side of Patton.

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    Family objects to Production

    There were several attempts to make the movie, starting in 1953. The Patton family was approached by the producers for help in making the film. They wanted access to Patton's diaries and input from the family members. By coincidence, the day they asked the family was the day after the funeral of Beatrice Ayer Patton, the general's widow. After that, the family was dead-set against the movie and refused to give any help to the filmmakers.

    Owing to a lack of help from the family, Francis Ford Coppola and Edmund H. North wrote the film from two biographies: Patton: Ordeal and Triumph by Ladislas Farago and A Soldier's Story by Omar Bradley. It was directed by Franklin J. Schaffner. In 2005, his wife's "Button Box" manuscript was finally released by his family, with the posthumous release of Ruth Ellen Patton Totten's (his daughter's) book, The Button Box: A Daughter's Loving Memoir of Mrs. George S. Patton.*

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    The Film

    Patton opened with a famous military to members of the Third Army, simply set against a huge American flag. The
    film throughout is a tour de force in the use of 70mm epic scale presentation. The imagery and the stereo sound brought a
    visual magnificence, that sometimes approached the cinematic quality of the earlier 70mm Lawrence of Arabia (film). The film was accepted by its audiences as another great depiction of a major, modern-military figure—in the spirit of David Lean's complex portrait of "Lawrence".

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    Awards

    Scott's performance as Patton won him an Academy Award for Best Actor (which he famously refused, stating that the Oscars were "a meat parade"), and has been called "one of the great performances of all time".

    The film won six additional Academy Awards, for Best Art Direction-Set Decoration, Best Director, Best Film Editing, Best Picture, Best Sound and Best Writing, Story and Screenplay Based on Factual Material or Material Not Previously Published or Produced. It was nominated for Best Cinematography, Best Effects, Special Visual Effects and Best Music, Original Score.

    In 2006, the Writers Guild of America selected the adapted screenplay by Francis Ford Coppola and Edmund North as the 94th best screenplay of all time. The screenplay was based upon the biographies A Soldier's Story by General Omar Bradley, and Patton: Ordeal and Triumph by Ladislas Farago.

    Popular online film critic James Berardinelli has called Patton his favorite film of all time. *

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    Cast


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    Sequels

    A made-for-television sequel, The Last Days of Patton, was produced in 1986. Scott reprised his title role. The movie was based on Patton's final weeks after being mortally injured in a car accident, with flashbacks of Patton's earlier life.

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    Trivia
      At the end of the movie, Patton is nearly run over by an oxcart and says, "Imagine, after all I've been through, imagine me going out like that!". In December 1945, Patton was injured in a freak vehicle accident and died a few weeks later.
      The movie writers of Patton's famous speech had to tone down Patton's actual words and statements.
      Patton's driver was played by Scott's golf instructor, George Slingerland.
      The M-4 Sherman tank was used in large numbers in Patton's forces (with the M-26 Pershing becoming available very late in the war). Ironically, however, many of the tanks on both sides in the film were the M-47 and M-48 models of the Patton tank series of the 1950s, which were post World War II developments of the M-26, as they were the models used by the Spanish Army which assisted in the production of the film. There were few actual Word War II vintage tanks seen in the film except in archival newsreel footage.
      Several other incorrect props are used as well. 1950s M38 Jeeps can be seen, 1960s M35 cargo trucks are used (for both American and German trucks), Navy Model 1928 Thompsons are carried by many soldiers when the M1A1 Thompson was the weapon issued, very few Navy Model Thompsons were used in the European Theater
      According to Woodward and Bernstein's book The Final Days, Patton was Richard Nixon's favorite film. He screened it several times at The White House and during a cruise on the Presidential Yacht just four days before his resignation, he reportedly mentioned the scene near the end of the film where Patton rides around the courtyard in Berlin.
      First shown on TV November 19, 1972
      The scene at the beginning of the film with Patton delivering his monologue was actually the last scene filmed. Originally, it was supposed to have been the first scene shot, but Scott requested that he be saved for the end of filmaking. It was Scott's belief that the scene called for Patton to be so over the top, that it would affect his performance in the rest of the film.
      In a scene, General Patton incorrectly cites Frederick II of Prussia (Friedrich der Große)--"L'audace, l'audace, toujours l'audace!", which translates into English as "Daring, daring - always daring!". This is a paraphrase of Georges Danton.
      All the medals and decorations shown on Patton's uniform in the monologue are authentic replicas of those actually earned and/or awarded to Patton. However, the general never wore all of them in public. Patton only put them all on once, in his backyard in Virginia at the request of his wife who wanted a picture of him with all his medals on. The producers used a copy of this photo to help recreate this "look" for the opening scene.
      During his speech, Patton claims "Americans have never lost and will never lose a war". Historian Shelby Foote said that this claim was astonishing, as Patton's grandfather had fought for the Army of Northern Virginia.
      A Spanish Pegaso truck from the 1960´s painted in olive green can be seen in the background of the opening scene of the "Kasserine" scene.
      The "pep talk" scene has been parodied by Stephen Colbert in a sketch called "ten-hut".
     
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