|
No Wave was a short-lived but influential music and art scene that thrived briefly in New York City during the late 1970s and early 1980s. The term No Wave is in part satiric wordplay rejecting the commercial elements of the then-popular New Wave genre. The term also highlights the music's experimental nature: No Wave music belonged to no fixed style or genre.
Music In many ways, No Wave is not a clearly definable musical genre with consistent features. Various groups drew on such disparate styles as funk, jazz, blues, and punk rock. There are, however, some elements common to most No Wave music, such as abrasive atonal sounds, repetitive driving rhythms, and a tendency to emphasize musical texture over melody. No wave Lyrics often focused on nihilism and confrontation. Performance No Wave is often better defined in terms of the artistic environment in which it thrived and the character of performances typical to its context. No Wave performances drew heavily on performance art and as a result were often both highly theatrical and minimalistic in their renditions. Influence No Wave had an important impact on noise and industrial bands who formed after, like Big Black, Lev Six, Swans, Helmet, and Live Skull. Sonic Youth emerged from this scene by creating music-as-art that eventually reached mass audiences and critical acclaim. The Brian Eno-"produced" (1) album No New York is perhaps the best example of this genre, featuring songs by Mars, Teenage Jesus & the Jerks, DNA and The Contortions. Simon Reynolds, author of Rip It Up and Start Again : Postpunk 1978-1984 , wrote And although "affection" is possibly an odd word to use in reference to a bunch of nihilists, I do feel fond of the No Wave people. James Chance's music actually stands up really well, I think; there are great moments throughout Lydia Lunch's long discography, and Suicide's records are just beautiful. (Listen to James Chance & the Contortions, "Contort Yourself," 1979; and Suicide, "Touch Me," 1980.) * Also during this time there was a period of No Wave Cinema which was an underground film movement in the East Village. No Wave filmmakers included Amos Poe, John Lurie, Scott B and Beth B, and led to the Cinema of Transgression and work by Nick Zedd and Richard Kern. Late outliers of this movement included groups such as Skeleton Key, Cop Shoot Cop, VPN and others. List of No Wave artists See also | ||||||||
|
| |||||||||
 |
|
| |