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Michael Gordon Oldfield (born May 15, 1953 in Reading, England) is a multi-instrumentalist musician and composer, working a style that blends progressive rock, folk, ethnic or world music, classical music, electronic music and more recently dance. His music is often elaborate and complex in nature. He is best known for his hit 1973 album Tubular Bells.
History
Early career Oldfield's career began fairly early in his life, playing acoustic guitar in local folk clubs. At this time, he already had two fifteen minute instrumental pieces in which he would "go through all sorts of moods", a precursor to his landmark 1970s compositions. In his early teens, Oldfield was involved in a 'beat group' playing Shadows style music (he has often cited Hank Marvin as a major influence, and would later cover the Shadows' song "Wonderful Land"). In 1967 he and his sister Sally formed the folk duo The Sallyangie and were signed to Transatlantic Records after exposure in the local folk scene. An album, Children of the Sun was issued in 1968. After Sallyangie disbanded, he formed another duo with his brother Terry, called Barefoot, which took him back to rock music. In 1970 he joined ex-Soft Machine vocalist Kevin Ayers' backing group The Whole World playing bass. The band also included keyboardist and composer David Bedford, who quickly befriended Oldfield and encouraged him in his composition of an early version of Tubular Bells. Bedford would later arrange and conduct an orchestral version of that album. With Ayers, Oldfield recorded two albums, Whatevershebringswesing and Shooting At The Moon. Both albums featured early versions of what would become his trademark sound. Having recorded a demo version of Tubular Bells, Oldfield attempted to convince someone in the music industry to take the project on, but was told the project was unmarketable. However, in 1972 he met a young Richard Branson who was setting up his own record label, Virgin Records, and after playing the demo to engineers Tom Newman and Simon Heyworth, he began recording the 1973 version of the album. (1973-1991) Virgin years Oldfield's most famous work is Tubular Bells, an instrumental composition recorded in 1972 and launched on May 25, 1973 as the inaugural album of Richard Branson's Virgin Records label. The album was groundbreaking, as Oldfield played more than twenty different instruments in the multi-layered recording made in Branson's Manor studios, and its style progressed continuously, covering many diverse musical genres. The album quickly reached the Top 10 of the UK album chart and has spent 279 weeks on the chart to date, a figure bettered by only ten other albums in chart history. Its 2.1 million sales put it at No.40 on the all-time list of the best selling albums in the UK. In the US, it received attention chiefly by appearing in the soundtrack to The Exorcist. In the autumn of 1974, the follow-up LP, Hergest Ridge, was No.1 in the UK for three weeks before being dethroned by Tubular Bells. Although Hergest Ridge was released over a year after Tubular Bells, it reached No.1 first. Tubular Bells spent 11 consecutive weeks at No.2 before its solitary week at the top. In 1979, Tubular Bells was used as the main musical score for The Space Movie, a Virgin movie that celebrated the 10th anniversary of the Apollo 11 mission. The Exorcist track is the score used for the landing sequence of the Apollo flights. Like Tubular Bells, Hergest Ridge took the form of a two-movement instrumental piece, this time evoking scenes from Oldfield's Herefordshire country retreat. This was followed in 1975 with the pioneering world music piece Ommadawn, and 1978's Incantations which introduced more diverse choral performances from Sally Oldfield, Maddy Prior and the Queen's College Girls Choir. Around the time of Incantations, Oldfield underwent a controversial self-assertiveness therapy course known as Exegesis. No doubt as a result of this, the formerly reclusive musician staged a major European tour to promote the album, chronicled in his live album Exposed, much of which was recorded at the National Exhibition Centre near Birmingham, the first ever concert at that venue. In 1975, Oldfield received a Grammy award for Best Instrumental Composition in "Tubular Bells - Theme From The Exorcist". The early 1980s saw Oldfield make a transition to "mainstream" popular music, beginning with the inclusion of shorter instrumental tracks and contemporary cover versions on Platinum and QE2 (the latter named after the cruise ship). Soon afterwards he turned his attention to songwriting, with a string of collaborations featuring various lead vocalists alongside his trademark searing guitar solos. The best known of these is "Moonlight Shadow", his 1983 hit with Maggie Reilly. This song has been covered by various other artists, including Aselin Debison (Canadian folk singer) and DJ Mystic (electronic/techno). In 2002 it was a huge hit in central Europe for the German dance act Groove Coverage. The most successful Oldfield composition on the US pop charts during this period was actually a cover version — Hall & Oates's remake of "Family Man" for the duo's 1982 album H20. Oldfield later turned to film and video, writing the score for Roland Joffé's acclaimed film The Killing Fields and producing substantial video footage for his album Islands. This was, however, a time of much friction with his record label. Virgin Records reportedly insisted that any future instrumental album should be billed as Tubular Bells 2. Oldfield's rebellious response was Amarok, an hour-long work featuring rapidly changing themes (supposedly devised to make cutting a single from the album impossible), unpredictable bursts of noise, and a very cleverly-hidden Morse code insult directed at Richard Branson. Although regarded by many fans as his greatest work, it was not a commercial success. His parting shot from the Virgin label was Heaven's Open, which continued the veiled attacks on Branson but was notable for being the first time Oldfield had contributed all the lead vocals himself. Some say this was due to his desire to quit Virgin as soon as possible (he had previously stated that his voice did not belong on his recordings). (1992-2003) Warner years On the Warner label Oldfield continued to embrace new musical styles, with Tubular Bells II (a re-interpretation of Tubular Bells., which was premiered at a live concert at Edinburgh Castle, The Songs of Distant Earth (the latter based on Arthur C. Clarke's novel of the same name) exhibiting a softer "New Age" sound, and Tubular Bells III (also premiered at a concert, this time in Horse Guards Parade, London), drawing from the dance music scene at his new home on the island of Ibiza. During 1999 Oldfield released two albums. The first, Guitars, which used guitars as the source for all the sounds on the album, including percussion. The second, The Millennium Bell, consisted of pastiches of a number of styles of music that represented various historical stages over the past millennium. The work was performed live in Berlin for the city's millennium celebrations in 1999-2000. Most recently, he added to his repertoire the Music VR project, combining his music with a virtual reality-based computer game. His first work on this project is Tr3s Lunas launched in 2002, a virtual game where the player can interact with a world full of new music. This project appeared as a double CD, one with the music, and the other with the game. In 2003 he released Tubular Bells 2003, a re-recording of the original Tubular Bells, on CD, and DVD-Audio. This was done to "fix" many "imperfections" in the original that existed due to the recording technologies of the early 1970s and limitations in time that he could spend in the recording studio. This celebrated the 30th anniversary of Tubular Bells, and Oldfield's 50th birthday. The DVD-Audio version has the same content as the CD version in surround, and some demos of the original Tubular Bells. At around the same time Virgin released an SACD version containing both the original stereo album and the 1975 quadraphonic mix by Phil Newell. In the 2003 version, the original voice of the 'Master of Ceremonies' (Viv Stanshall) was replaced by the voice of John Cleese. (2004- . . . .) Recent years On 12 April, 2004 Oldfield launched his next virtual reality project called Maestro which contains music from the Tubular Bells 2003 album and also some new chillout melodies. The demo versions of the games can be found on the official Mike Oldfield homepage. A double album, Light & Shade was released on Mercury Records, with whom Mike had recently signed a three album deal. The two discs contain music of contrasting moods, one relaxed ("Light") and the other more edgy and moody ("Shade"). The album was released on 26 September 2005. In an interview on BBC Radio 2's Steve Wright show, broadcast February 23, 2006, Oldfield elaborated on his next project saying he was working on a long instrumental — probably in three parts and without any drum loops. He also mentioned the possibility of a tour. Although probably unrelated to this new project, he will be headlining the German Nokia Night of the Proms tour, consisting of 18 concerts in December 2006. • Discography
Studio albums Downloads Soundtracks Note: Although used in The Exorcist, Tubular Bells (1973) was not a soundtrack album. Mike Oldfield also contributed to the soundtrack album, with his rendition of Mark Snow's main theme, entitled "Tubular X". Note, this does not appear on all versions of the soundtrack album for the movie. Live albums Compilations, remixes, etc. Collaborations See also | |||||||||||||||||||||
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