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Origins The concert was conceived as a follow-up to another Geldof/Nosker project, the successful charity single "Do They Know It's Christmas?", performed by a collection of British and Irish music acts billed as 'Band Aid' and released the previous winter. The concert grew in scope, as more acts were added on both sides of the Atlantic. As a charity fundraiser, the concert far exceeded its goals: on a television programme in 2001, one of the organizers stated that while initially it had been hoped that Live Aid would raise £1 million ($1.89 million), the final figure was £150 million (approx. $283.6 million). Partly in recognition of the Live Aid effort, Geldof received an honorary knighthood. Music promoter Harvey Goldsmith was also instrumental in bringing the plans of Geldof and Nosker to fruition. Collaborative effort The concert started at 12:00 GMT (7:00 am, Eastern time) at Wembley Stadium, England. It continued at JFK Stadium, U.S., starting at 13:51 (8:51 am, Eastern time). The UK's Wembley performances ended at 22:00 (5:00 pm, Eastern time). The JFK performances and whole concert in the US ended at 04:05 (11:05 pm, Eastern time). (See the full schedule of the concert here). Thus, the concert continued for 16 hours, but since many artists' performances were conducted simultaneously in Wembley and JFK, the total concert's length was much longer. No previous concert had ever brought together so many famous performers from the past and present, whose names are shown below (under Live Aid performers). However, some of the artists who had been announced earlier did not appear at the last minute, including Tears For Fears, Julian Lennon and Cat Stevens, while Prince provided a clip of "4 The Tears In Your Eyes". (Stevens wrote a song for the Live Aid concert, which he never got to perform - had he done so, he would have made his first public concert appearance since converting to Islam and changing his name to Yusuf Islam.) It was the original intention for Mick Jagger to perform an intercontinental duet from the US, with David Bowie in London, but problems of synchronisation made it impossible - instead, Jagger and Bowie created a video clip for the song they would have performed, a cover of "Dancing In The Street". Jagger still performed live with Tina Turner, at the Philadelphia portion of the concert. Each of the two main portions of the concert ended with their particular continental all-star anti-hunger anthems, with Band Aid's "Do They Know It's Christmas?" closing the UK concert, and USA for Africa's "We Are The World" closing the US concert (and thus the day's proceedings). Since the concert, bootleg videos and CDs have circulated widely, and an official book was produced by Bob Geldof in collaboration with photographer Denis O'Regan. The concert was never supposed to have been released commercially, but in November 2004, Warner Music Group released a four-disc DVD edition of the concert (see more details below). The Broadcasts The concert was the most ambitious international satellite television venture that had ever been attempted at the time. In Europe, the feed was supplied by the BBC, whose broadcast was opened by Richard Skinner, co-hosted by Andy Kershaw, and included numerous interviews and chatters in between the various acts. The BBC's television feed was mono, but the BBC Radio 1 feed was simulcast in stereo. Due to the constant activities in both London and Philadelphia, the BBC producers omitted the reunion of Crosby, Stills, Nash & Young from their broadcast. The BBC, however, did supply a 'clean' feed to various television channels in Europe. ABC was largely responsible for the US broadcast (although ABC themselves only telecast the final three hours of the concert from Philadelphia, hosted by Dick Clark, with the rest shown in syndication through Orbis Communications, acting on behalf of ABC). An entirely separate and simultaneous US feed was provided for cable viewers by MTV, whose broadcast was presented in stereo, and accessible as such for those with special receivers of the time, as there were very few stereo sets in the summer of 1985, and few television stations were able to broadcast in stereo. While the BBC telecast was run commercial-free (as it is a public channel), both the MTV and syndicated/ABC broadcasts included advertisements and interviews. As a result, many songs were omitted due to the commercial breaks, as these songs were played during such times. The biggest caveat of the syndicated/ABC coverage is that the network had wanted to reserve some of the biggest acts that had played earlier in the day for certain points in the entire broadcast, particularly in the final three hours in prime time; thus, Orbis Communications had some sequences replaced by others, especially those portions of the concert that had acts from London and Philadelphia playing simultaneously. For example, while the London/Wembley finale was taking place at 22:00 (10:00 pm) London time, syndicated viewers saw segments that had been recorded earlier, so that ABC could show the UK finale during its prime-time portion. The ABC Radio Network broadcast the domestic feed of the concert, and later broadcast many of the acts that were missing from the original live radio broadcast. At one point midway through the concert, Billy Connolly announced he had just been informed that 95% of the television sets in the world were tuned to the event. In 1995, VH1 and MuchMusic aired a re-edited ten-hour re-broadcast of the concert for its 10th Anniversary. On 19 November, 2005, the entire original telecast, as aired on the BBC, was video-streamed via the Internet, through a Live Aid fan site. Inspiration The success of Live Aid inspired Roger Waters' song "The Tide Is Turning" and Queen's song "One Vision". Memorable moments at Wembley Stadium Status Quo opened with "Rocking All Over The World". Queen, opening to massive cheers with "Bohemian Rhapsody" and the antics of lead singer Freddie Mercury got the entire Wembley crowd clapping in unison to "Radio Ga Ga" and singing along, word-for-word, to "We Will Rock You" and "We Are The Champions". They stole the show, and for many it was the undisputed highlight of the event. Mercury's stunning performance, including him dancing with a cameraman during Hammer to Fall, led to Queen being voted as the best live gig ever in a recent poll. *. Another moment that garnered a huge crowd response was when David Bowie performed "Heroes" and dedicated it to his young son, as well as "all our children, and the children of the world". U2's performance established them as a pre-eminent live group for the first time — something for which they would eventually become superstars. Bono jumped off the stage to join the crowd and danced with a girl. Because of this, the band only played two songs; the third, "Pride (In The Name Of Love)", had to be ditched. In July of 2005, the girl with whom he danced revealed that he actually saved her life at the time. She was being crushed by the throngs of people pushing forwards; Bono saw this, and gestured frantically at the ushers to help her. They didn't understand what he was saying, and so he jumped down to help her himself. * This can be seen on the Live Aid DVD during "Bad". The transatlantic broadcast from Wembley Stadium suffered technical problems and failed during The Who's performance of their song "My Generation", immediately after Roger Daltrey sang "Why don't you all fade" (the last word was cut off when the generator exploded). The Who were playing with Kenney Jones on drums who was still an official member of the Who at this time. The Who's performance included an at times shambolic, but still blistering version of "Won't Get Fooled Again", which was extremely popular with the audience in Wembley Stadium. The band's performance was described as "rough but right" by Rolling Stone magazine. Concert organisers have subsequently said that they were particularly keen to ensure that at least one surviving member of The Beatles, ideally Paul McCartney, took part in the concert as they felt that having an 'elder statesman' from British music would give it greater legitimacy, in the eyes of the political leaders whose opinions the performers were trying to shape. McCartney agreed to perform and has said that it was 'the management' - his children - that persuaded him to take part. In the event, he was the last performer (aside from the Band Aid finale) to take to the stage and one of the few to be beset by technical difficulties; his microphone was turned off for the first two minutes of his piano performance of "Let It Be", making it difficult for television viewers and impossible for those in the stadium to hear him. He later jokingly thought about changing the lyrics to "There will be some feedback, let it be". Phil Collins performed at both Wembley Stadium and JFK, utilizing Concorde to get him from London to Philadelphia. UK TV personality Noel Edmunds piloted the helicopter that brought Phil to Heathrow to catch his flight. Aside from his own set at both venues, he also provided drums for Eric Clapton and the reunion of Led Zeppelin at JFK. Originally, Duran Duran were supposed to perform at both venues, but bowed out. On the flight, Phil bumped into Cher, who didn't know anything about the transatlantic events. She can be seen performing with the USA for Africa finale in Philadelphia. At the conclusion of the Wembley performances, Bob Geldof was raised heroically onto the shoulders of The Who's guitarist Pete Townshend and McCartney - symbolizing his great achievement in unifying the world for one day, in the spirit of music and charity, as well as representing a generational 'passing of the torch' in rock music. Memorable moments at JFK Stadium At the very beginning of the US portion, Joan Baez announced to the assembled crowd (and the viewing audience) that "this is your Woodstock, and it's long overdue." When Bob Dylan broke a guitar string, Ron Wood took off his own guitar and gave it to Dylan. Wood was left standing on stage guitarless. After shrugging to the audience, he played air guitar, even mimicking The Who's Pete Townshend by swinging his arm in wide circles, until a stagehand brought him a replacement. During their duet on "It's Only Rock 'N' Roll", Mick Jagger ripped away part of Tina Turner's dress, leaving her to finish the song in what was, effectively, a leotard. The JFK portion included reunions of Crosby, Stills, Nash & Young, the original Black Sabbath, and surviving members of Led Zeppelin, with Phil Collins and CHIC member Tony Thompson sharing duties on drums (although they were not officially announced by their group name from the stage, but were announced as Zeppelin on the VH1 10th Anniversary re-broadcast in 1995). Teddy Pendergrass made his first public appearance since his near-fatal car accident in 1982 which paralyzed him for life. Pendergrass, along with Ashford & Simpson, performed "Reach Out and Touch". Also, Duran Duran performed a four-song set. It would turn out to be the last public performance of the original five band members until 2003. Their set is also memorable for an inadvertent falsetto note hit by frontman Simon Le Bon during "A View to a Kill", an error trumpeted by some media outlets as "The Bum Note Heard 'Round the World". Raising money Throughout the concerts, viewers were urged to donate money to the Live Aid cause. Three hundred phone lines were manned by the BBC, so that members of the public could make donations using their credit cards. The phone number and an address that viewers could send cheques to were repeated every twenty minutes. Nearly seven hours into the concert in London, Bob Geldof enquired how much money had been raised; he was told £1.2 million. He is said to have been sorely disappointed by the amount and marched to the BBC commentary position. Pumped up further by a performance by Queen that he later called 'absolutely amazing', Geldof gave a famous interview. Many now recall that Geldof said, "Just give us the As Geldof mentioned, during the concert, the Republic of Ireland (Éire) gave the most donations per capita, despite being in the throes of a serious economic depression at the time. The single largest donation came from the ruling family of Dubai. They donated £1m in a phone conversation with Geldof. The next day, news reports stated that between £40 and £50 million had been raised. Now, it is estimated that around £150mn has been raised for famine relief as a direct result of the concerts. Criticisms and controversies Bob Dylan's performance generated controversy for his comment: "I hope that some of the money...maybe they can just take a little bit of it, maybe...one or two million, maybe...and use it, say, to pay the mortgages on some of the farms and, the farmers here, owe to the banks..." He is often misquoted, as on the Farm Aid web site *, as saying: "Wouldn't it be great if we did something for our own farmers right here in America?" In his best-selling autobiography Is That It? (published in 1986), Geldof was extremely critical of the remark; he states: "He displayed a complete lack of understanding of the issues raised by Live Aid.... Live Aid was about people losing their lives. There is a radical difference between losing your livelihood and losing your life. It did instigate Farm Aid, which was a good thing in itself, but it was a crass, stupid, and nationalistic thing to say." Anarchist band Chumbawamba released a record called Pictures of Starving Children Sell Records in 1986. They viewed the Live Aid concert with cynicism, suggesting that performers were in it for themselves, as much as the people they were professing to help. Although an admirer of Geldof's generosity and concern, Fox News television host Bill O'Reilly has been critical of the Live Aid producer's oversight of the money raised for starving Ethiopian people, noting (in June 2005) that much of the funds were siphoned off by Mengistu Haile Mariam and his army. O'Reilly believes that charity organizations, operating in aid-receiving countries, should control donations, rather than possibly corrupt governments *. Tim Russert, when interviewing Bono on Meet The Press shortly after O'Reilly's comments, addressed this concern of O'Reilly and others to the pop singer. Bono responded that corruption, not disease or famine, was the greatest threat to Africa, agreeing with the belief that foreign relief organizations should decide how the money is spent. On the other hand, the singer said that it was better to spill some funds into nefarious quarters for the sake of those who needed it, than to stifle aid because of possible theft *. Live Aid performers and setlists (In order of appearance, times given are British Summer Time and indicate the start time of the performance. Key: W - London Wembley Stadium, JFK - Philadelphia JFK Stadium): a) Freddie Mercury and Brian May (Queen) - "Is This The World We Created?" (W 21:48), b) Paul McCartney - "Let It Be" (W 21:51), c) Band Aid (led by Bob Geldof) - "Do They Know It's Christmas?" (W 21:54); a) Bob Dylan, Keith Richards and Ron Wood - "Ballad of Hollis Brown", "When The Ship Comes In", Blowin' In The Wind" (JFK 03:39), b) USA for Africa (led by Lionel Richie) - "We Are The World" (JFK 3:55). Live Aid recordings / releases When organiser Bob Geldof was persuading artists to take part in the concert, he promised them that it would be a one-off event, never to be seen again. That was the reason why the concert was never recorded in its complete original form, and only secondary television broadcasts were recorded. Following Geldof's request, ABC even erased its own broadcast tapes. However, before the syndicated/ABC footage was erased, copies of it were donated to the Smithsonian Institution and have now been presumed lost. MTV decided to keep recordings of its broadcast and recently located more than 100 tapes of Live Aid in its archives, but many songs in these tapes were cut short by MTV's ad breaks and presenters (according to BBC). The BBC also decided to keep its broadcast recordings, but many performances from the US were not shown on the BBC, and recordings of these performances are missing. Official Live Aid DVD
Unofficial recordings Because the Live Aid broadcast was watched by billions of people, most of the footage was recorded on home consumer video recorders all around the world, in various qualities. Many of these recordings were in mono, because most of the machines at that time were mono recorders, and also because the European BBC broadcast was in mono. (As mentioned previously, the US MTV broadcast and the ABC Radio Network and BBC Radio One simulcasts were stereo). These recordings started to circulate among collectors 20 years ago, and in recent years have also appeared on the Internet in file sharing networks. Since the official DVD release of Live Aid includes only partial footage of this event, unofficial distribution sources continue to stay the one and only source of the most complete recordings of this important historical music event. In any event, the official DVD is the only authorized video release in which proceeds go directly to famine relief, the cause the concert was originally intended to help. See also | |||||||||||
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