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    Leonard Bernstein (pronounced "Bern-styne") (August 25, 1918October 14, 1990) was an American composer, pianist and conductor. He was the first conductor born in the United States of America to receive world-wide acclaim, and is known for both his conducting of the New York Philharmonic, including the acclaimed Young People's Concerts series, and his multiple compositions, including West Side Story, Candide and On The Town.


        Leonard Bernstein
                Childhood
                College
                Family life
                Career
            Awards and recognitions
                Works for the theater
                Orchestral works for the concert hall
                Choral music for church or synagogue
                Chamber music
                Vocal music
                Other music
                Books
            Quotes

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    Childhood

    Bernstein was born in Lawrence, Massachusetts in 1918 to a Jewish family from Rovno, Ukraine. His grandmother insisted his first name be Louis, but his parents always called him Leonard, as they liked the name better. He had his name changed to Leonard officially when he was sixteen. His father, Sam Bernstein, was a businessman, and initially opposed Bernstein's interest in music. Despite this, the elder Bernstein frequently took him to orchestra concerts. At a very young age, Bernstein heard a piano performance and was immediately captivated; he subsequently began learning the piano. As a child, Bernstein attended the Garrison and Boston Latin School. When his father heard about the piano lessons he refused to pay for them, so Bernstein taught young students himself and used that income to pay for his own piano lessons.

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    College
    After graduation from Boston Latin School in 1935 Bernstein attended Harvard University, where he studied music with Walter Piston and was briefly associated with the Harvard Glee Club. After completing his studies at Harvard he enrolled in the Curtis Institute of Music in Philadelphia, where he received the only grade of "A" that Fritz Reiner ever awarded in his class on conducting. During his time at Curtis, Bernstein also studied piano with Isabella Vengerova and Heinrich Gebhard.

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    Family life

    Leonard Bernstein's early adult years in New York City were a whirl of hard work and much carousing. After a long internal struggle and a turbulent on-and-off engagement, he married Felicia Montealegre Cohn on September 9, 1951.

    Leonard and Felicia had three children: Jamie, Alexander, and Nina. As Bernstein grew older, and as the Gay Liberation movement gained increasing momentum, he became more emboldened about expressing his bisexuality. In 1976, he left Felicia to live with companion Tom Cothran. Bernstein returned to his wife the following year. Within months of their reconciliation, however, Felicia was diagnosed with lung cancer. She died a year later, in 1978. Some claim to see a change in Bernstein's conducting after Felicia's death as more somber and heavy, more "wrung-out," with grossly elongated gestures, although others cite this as another example of the manner in which many artists exaggerate their original conducting style as they get older. Many critics consider Bernstein's later conducting performances to be the finest of his career.

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    Career
    He was highly regarded as a conductor, composer (not related to film composer Elmer Bernstein), pianist, and educator, and probably best known to the public as long-time music director of the New York Philharmonic Orchestra, for conducting concerts by many of the world's leading orchestras, and for writing the music for West Side Story. All told, he wrote three symphonies, two operas, five musicals, and numerous other pieces.



    In 1940, he began his study at the Boston Symphony Orchestra's summer institute, Tanglewood, under the orchestra's conductor, Serge Koussevitzky. Bernstein later became Koussevitzky's conducting assistant. He would later dedicate his Symphony No. 2 to Koussevitzky.

    On November 14, 1943, having recently been appointed assistant conductor of the New York Philharmonic Orchestra, he made his conducting debut when Bruno Walter was ill. He was an immediate success and became instantly famous since the concert was nationally broadcast. The soloist on that historic day was cellist Joseph Schuster, solo cellist of the New York Philharmonic, who played Richard Strauss's Don Quixote. Since Bernstein had never conducted the work before, Bruno Walter coached him on it prior to the concert. After World War II Bernstein's career on the international stage began to flourish. In 1949 he conducted the world première of the Turangalîla-Symphonie by Olivier Messiaen. After Serge Koussevitzky died in 1951, Bernstein took the position of head of the orchestral and conducting departments at Tanglewood, holding this tenure for many years. Bernstein was named Music Director of the New York Philharmonic in 1958, a post he held until 1969. He became a well-known figure in the US through his series of fifty-three televised Young People's Concerts for CBS, which grew out of his Omnibus programs that CBS aired in the early 1950s. He became as famous for his educational work in those concerts as for his conducting. Some of his music lectures were released on records, with several of these albums winning Grammy awards. To this day, the Young People's Concerts series remains the longest running group of classical music programs ever shown on commercial television. They ran from 1958 to 1972. More than thirty years later, twenty-five of them were rebroadcast on the now-defunct cable channel Trio, and released on DVD.

    In 1947 he conducted in Tel Aviv for the first time, beginning a life-long association with Israel. In 1957, he conducted the inaugural concert of the Mann Auditorium in Tel Aviv; he subsequently made many recordings there. In 1967 he conducted a concert on Mt. Scopus to commemorate the reunification of Jerusalem.



    In 1966 he made his debut at the Vienna State Opera conducting Verdi's Falstaff (production by Luchino Visconti, Dietrich Fischer-Dieskau as Falstaff). In 1970 he returned to the State Opera for Otto Schenk's production of Beethovens's Fidelio. In 1986 the State Opera had Bernstein conducting his A Quiet Place. Bernstein's final farewell to the State Opera happened accidentally in 1989: Following a performance of Modest Mussorgskys Khovanchina he unexpectedly entered the stage and embraced conductor Claudio Abbado in front of a stunned, but cheering audience.

    Beginning in 1970, Bernstein conducted the Vienna Philharmonic Orchestra, with which he re-recorded many of the pieces that he had previously taped with the New York Philharmonic, including sets of the complete symphonies of Beethoven, Mahler, Brahms and Schumann. He was also appointed in 1973 to the Charles Eliot Norton Chair at his alma mater, Harvard University, to deliver a series of 6 lectures on music. Borrowing the title from a Charles Ives' work, he called the lecture series "The Unanswered Question" which discusses the evolution of western classical music up until that time. The lecture now survives both in book and DVD form today.

    He received the Kennedy Center Honors in 1980.

    On PBS in the 1980s, he was the conductor and commentator for a special series on Beethoven's music, which featured the Vienna Philharmonic playing all nine Beethoven symphonies, several of his overtures, and the Missa Solemnis. Actor Maximilian Schell was also featured on the program, reading from Beethoven's letters.

    On Christmas Day, 25 December 1989, Bernstein conducted Beethoven's Symphony No. 9 in East Berlin's Schauspielhaus (Playhouse) as part of a celebration of the fall of the Berlin Wall. The concert was broadcast live in more than twenty countries to an estimated audience of 100 million people. For the occasion, Bernstein reworded Friedrich Schiller's text of the Ode to Joy, substituting the word "freedom" (Freiheit) for "joy" (Freude). "I'm sure that Beethoven would have given us his blessing", said Bernstein.

    Bernstein was a highly-regarded conductor among many musicians, in particular the members of the Vienna Philharmonic Orchestra and the Israel Philharmonic Orchestra, of which he was a regular guest conductor. He was considered especially accomplished with the works of Gustav Mahler, Aaron Copland, Johannes Brahms, Dmitri Shostakovich, George Gershwin (especially the Rhapsody in Blue and An American in Paris), and of course with the performances of his own works. (Unfortunately, Bernstein never conducted performances of Gershwin's Piano Concerto in F, nor did he ever conduct Porgy and Bess.) He had a gift for rehearsing an entire Mahler symphony by acting out every phrase for the orchestra to convey the precise meaning, and of emitting a vocal manifestation of the effect required, with a subtly professional ear that missed nothing.

    Leonard Bernstein died just five days after retiring. He conducted his final performance at Tanglewood on August 19, 1990, with the Boston Symphony playing Britten's "Four Sea Interludes" and Beethoven's Seventh Symphony. * A longtime heavy smoker, he had battled emphysema from his mid-20s; he suffered a coughing fit in the middle of the Beethoven performance which almost caused the concert to break down. On the day of his funeral procession through the streets of Manhattan, construction workers removed their hats and waved and yelled "Goodbye Lenny." Bernstein is buried in Green-Wood Cemetery, Brooklyn, New York.




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    Awards and recognitions



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    Works for the theater

      Facsimile (ballet), 1946
      Peter Pan (songs, incidental music), 1950
      Candide (operetta), 1956 (rewritten in 1958 and revised in 1989)
      Mass (theatre piece for singers, players and dancers), 1971

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    Orchestral works for the concert hall

      Fancy Free and Three Dance Variations from "Fancy Free,", concert premiere 1946
      Three Dance Episodes from "On the Town," concert premiere 1947
      Prelude, Fugue and Riffs for Solo Clarinet and Jazz Ensemble, 1949
      Symphonic Suite from "On the Waterfront", 1955
      Symphonic Dances from "West Side Story", 1961
      Symphony No. 3, Kaddish, for Orchestra, Mixed Chorus, Boys' Choir, Speaker and Soprano Solo, 1963 (revised in 1977)
      Dybbuk, Suites No. 1 and 2 for Orchestra, concert premieres 1975
      Songfest: A Cycle of American Poems for Six Singers and Orchestra, 1977
      Three Meditations from "Mass" for Violoncello and Orchestra, 1977
      Slava!: A Political Overture for Orchestra, 1977
      Divertimento for Orchestra, 1980
      Halil, nocturne for Solo Flute, Piccolo, Alto Flute, Percussion, Harp and Strings, 1981
      Concerto for Orchestra, 1989 (Originally "Jubilee Games from 1986, revised in 1989)

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    Choral music for church or synagogue

      Hashkiveinu for Solo Tenor, Mixed Chorus and Organ, 1945
      Missa Brevis for Mixed Chorus and Countertenor Solo, with Percussion, 1988

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    Chamber music

      Brass Music, 1959
      Dance Suite, 1988

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    Vocal music

      I Hate Music: A cycle of Five Kids Songs for Soprano and Piano, 1943
      La Bonne Cuisine: Four Recipes for Voice and Piano, 1948
      Arias and Barcarolles for Mezzo-Soprano, Baritone and Piano four-hands, 1988
      A Song Album, 1988

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    Other music

      Various Piano pieces
      Other occasional works, written as gifts and other forms of memorial and tribute
      "The Skin of Our Teeth": An aborted work from which Bernstein took material to use in his "Chichester Psalms"

      Referenced to in the song "It's The End Of The World As We Know It (And I Feel Fine)" by R.E.M. (1987).

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    Books

    Books by Bernstein:
      Findings. Originally published by New York: Simon and Schuster, 1982. New edition, New York: Anchor Books, 1993 has ISBN 0-385-42437-X.
      The Infinite Variety of Music. Originally published by Simon and Schuster, 1966. New York: Anchor Books, 1993. ISBN 0-385-42438-8.
      The Joy of Music, originally c 1959. Pompton Plains, New Jersey: Amadeus Press edition, c 2004, ISBN 1-57467-104-9.
      The Unanswered Question. Cambridge, Mass: Harvard University Press, 1976. ISBN 0-674-92000-7.

    Books about or dealing with Bernstein:
      Gottlieb, Jack, editor. Leonard Bernstein's Young People's Concerts. Printed by New York: Anchor Books in 1962, reissued by them in a revised edition in 1992 with ISBN 0-385-42435-3.
      Burton, Humphrey. Leonard Bernstein. Doubleday. 1994. Hardcover: ISBN 0-385-42345-4, Softcover: ISBN 0-385-42352-7. (Excellent and comprehensive biography of Bernstein)

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    Quotes
      Speaking to composer Ned Rorem: "The trouble with you and me, Ned, is that we want everyone in the world to personally love us, and of course that's impossible: you just don't meet everyone in the world"
     
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