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La Nouba is a Cirque du Soleil show, which, like most Cirque du Soleil shows, is a circus-like performance featuring acrobats, gymnasts, and other skilled performers. Its title derives from the French phrase faire la nouba, meaning "to party" or "to live it up". La Nouba is in permanent residence in a specially-made arena at Downtown Disney's West Side at the Walt Disney World Resort in Lake Buena Vista, Florida.
Creators The Show La Nouba is a spectacle filled with visuals one cannot possibly observe in entirety during just one seating. While the primary action unfolds onstage, characters observe, participate and do seemingly unrelated things. The show is one part party, one part dream and one part mystery. The Characters As in every Cirque show, in addition to the performances, there are several distinctive characters that participate in the show sometimes as performers and sometimes as spectators. In La Nouba, these include: She's a flightless bird, out of her cage, watching the show from every angle desperate to fly as she sees so many aerial acts, but unable, often mimicking what she sees. The "nuts" or "silly people" dressed in all white are the ever present fools of the show. They find themselves in the middle of everything and often participating in different ways. Neither true performers nor merely spectators, they bumble their way through with naive innocence somewhat of a liaison between the audience world and the world of La Nouba. A mysterious "muscle man" who confronts everyone on stage while contorting his body in unusual poses. We find his true talent at the end of the show. Dressed in grey pinstripes, with a small bowler hat atop, he strolls around stage ala Charlie Chaplin. He's everywhere, all the time. He also has a hidden talent that is revealed mid-show. He appears as a red acrobat. He's the adversary of the Titan, but joins him in mutual admiration at the end of the show. The Romeo and Juliet of the show. They dance and share their love, passion and fears on stage. Balto and Serguei provide comic relief in a world of comedy. They interact with one another as children would whether they are fighting as cowboy and Indian, scaling a mountain on the moon, or simply trying to arrange a pair of chairs. Shocked to be in this world and astonished by what goes on around her, she sweeps and dusts nonetheless until her dream becomes a reality. The Performances Prior to the beginning of the show, clowns "Balto" and "Serguei" enter the arena and set the stage by interacting with guests and pulling a stunt on a few unexpecting audience members. The show begins with the "Parade" as select characters and performers make their way across the aisle that separates the lower and upper seating sections of the house. Following the Parade, the cleaning woman appears, sweeping away at the stage until one-by-one the characters appear. First, the Green Bird, then Le Pierrot Rouge, an upside down biker crosses the stage followed by a model train, until she's seen more than she can believe. In a sudden fanfare of activity on the stage, nearly every character and performer makes his or her appearance, marching in unison, with sounds of howling wolves, cracks of bullwhips filling the air until the acts begin in earnest. A dynamic duo flexes their creativity as they turn and spin within giant wheels consisting of two metal hoops measuring six-and-a-half feet in diametre and joined at six points. The entire act takes place on a 90-foot-long high wire. With remarkable balance and precision, wire walkers ascend to a height of 34 feet above the stage. Supported by a half-inch steel wire, they execute 360-degree spins, head balancing and somersaults. Each of these four magical figures holds two sticks linked by a string on which a musical wooden spool, the diabolo, comes to life. In their tiny hands, the diabolo twirls, jumps and flies through the air while the acrobats themselves perform flips and build human pyramids. This act gets rolling with a BMX wizard whose difficult maneuvers never fail to mesmerize. His technical twists, gymnastic turns and one-wheel spins are highlighted in incredible tricks such as G-turns, boomerangs and megaspins, all accompanied by lots of footwork. The second half of the act features yet another artist. His stunts include riding over obstacles without ever putting his feet down, jumping off high platforms, hopping up and down steps and into the audience on one wheel, and even jumping over an artist and a guest before literally plunging into the bowels of the stage. The aerial cradle looks like a door and is the setting for a perfect example of equal-opportunity strength and agility. This amazing athletic display features elements of traditional circus aerial cradle, but adds a unique twist: the male and female artist take turns supporting one another 34 feet above the stage. In a display of grace and strength, the artists become one with the ribbon of red fabric that cradles them. This aerial dance requires agility and flexibility, and allows the performers a great deal of latitude for acrobatic and artistic expression. This act, which features a solo performer, eight chairs, and a table, defies gravity and the laws of physics. The chairs are stacked one on top of the other and rise 25 feet in the air. Then, as the performer carries a spinning birthday cake filled with candles, the platform supporting the chairs rises to a height of 41 feet above the stage. Four pendulum-like swings, on two different levels, carry a team of perfectly synchronized aerialists 53 feet above the stage. This innovative bi-level rigging enables the trapezists to create a visually arresting display of rhythm and athleticism. Timing is key when all four trapezes are swinging in tandem and the aerialists switch places — barely inches away from colliding. This high-energy spectacle has performers literally bouncing off the walls and through the windows and roof of a three-dimensional building. Technology and the power track take the trampoline to new heights. Timing and spatial awareness are essential to the incessant flow of action. Music and Musicians All music is performed live at La Nouba by six musicians and two singers. Composed by Benoit Jutras and directed by performer Benoit Glazer (incidentally, there is a third "Benoit", violinist Benoit Lajeunesse) the music is at times sorrowful, others upbeat and often mysterious. Jazz, hip-hop, Klezmer, opera, and other styles come together in an amazing way. The performers are somewhat hidden in towers on either side of the stage. Their play is perfectly coordinated to the action on stage. There are two distinctively different voices in the show. First, a male countertenor (currently, Ralph Daniel Rawe) singing primarily in French at female alto registers creating a spooky opera at times. The second is a female gospel vocalist (currently, Sisaundra Lewis) whose magnificently rich tones and vibrant brightness punctuate many acts. The two combine beautifully during Aerial Ballet in Silk. Soundtrack The soundtrack features most of the music played during the show. There are several interludes and music played during the clown acts that does not appear on the soundtrack. Several tracks differ from the music heard in the show, as additional vocals and remixing have been added. Most significantly altered are: "Once Upon a Time" and "A Tale", the first two tracks appearing on the CD. Additionally, the soundtrack does not follow the order of the show. Below are the tracks, in order as they appear on the CD. Listed after each track title is the performance associated with the track. Some of the titles in French relate specifically to the performance associated with them. For example, during Aerial Cradle, the performance takes place in a door, hence the French name "porte". Jardin Chinoise (Chinese Garden) plays during the Diabolos performance featuring four young Chinese girls. Rêve Rouge (Red Dream) plays during the Aerial Ballet with is performed on long red "silks". | ||||||||
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