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La Galatea was Miguel de Cervantes’ first book, published in 1585. Under the guise of pastoral characters, it is an examination of love and contains many allusions to contemporary literary figures. It enjoyed a modest success, but was not soon reprinted; its promised sequel was never published, and presumably never written.
The Work The main characters of the Galatea are the Elicio and Erastro, best friends and enamoured with Galatea. The novel opens with her and her best friend, Florisa, bathing, talking of love. Erastro and Elicio reveal to each other their desire for Galatea, but agree not to let it come betwixt their friendship. Eventually, all four of them begin their journey to the wedding of Darania and Silveria, along which, in the pastoral tradition, they encounter other characters who tell their own stories and often join the traveling group. The vast majority of the characters in the book are involved primarily in minor story lines. Lisandro loses his love, Leonida, when Crisalvo mistakenly kills her instead of his former love Silvia. Lisandro avenges Crisalvo in the presence of the main party. Astor, under the pseudonym Silerio, feigns attraction for Nísida’s sister Blanca in order to avoid the scorn of Nísida’s lover Timbrio, who dies following the confusion present after a successful duel against his rival Pransiles. Astor’s grief thrusts him into hermitage, waiting to hear from Nísida. Arsindo holds a poetry competition betwixt Francenio y Lauso, which is judged by Tirsi and Damón, lauded by many within the novel as some of the most famous poets of Spain, and is determined to have no single winner. The wedding has controversy as Mireno is deeply in love with Silveria, yet Daranio’s wealth guaranteed him the hand of Silveria. These stories sometimes have characters that cross over, resulting in the sub-plots being intertwined at times. For example, Teolinda, whose sister Leonida played in an integral role in separating Teolinda from her lover Artidoro, finds Leonida much later with a group of soldiers. The fame of Tirsi and Damón instantly connects them with the hired wedding bards, Orompo, Crisio, Marsilio, and Orfenio, as well as the teacher Arsindo. Themes Upbringings and lifestyles One of the primary treatments in the Galatea, and most evident in the contrast betwixt Elicio and Erastro, is the perception of rural and city folk and their lives. Elicio, a cultured shephard, and Erastro, a rústico ganadero (rustic herdsman) are an odd pair of friends, and throughout the novel their differing views come out in conversations with other characters. Erastro, though from the rural parts of Spain, is very eloquent in speech — a trait that surprises many. However, because of his background, Erastro feels disadvantaged in his desire for Galatea, who had a very cultured upbringing similar to Elicio’s. A similar discussion ensues when a group of soldiers meets the group and one of them, Darinto, describes his view of pastoral (or rural) life as being a simple one, without all the complications, formalities and expenses of city life. Damón replies that the rural life is not as glorious or desirable as Darinto imagines: there are just as many chores and other things to do in country life as in city life, and so is not the relaxing simple life described. Friendship Love, affection, and desire Second Part The original title published with the work now simply known as the Galatea was La primera parte de la Galatea (The First Part of the Galatea). Cervantes indicated on numerous occasions during his life he planned to publish a second part, even in the ending of the first part: El fin deste amoroso cuento y historia ... con otras cosas sucedidas a los pastores hasta aquí nombrados, en la segunda parte desta historia se prometen, la cual, si con apacibles voluntades esta primera viene rescibida, tendrá atrevimiento a salir con brevedad a ser vista de los ojos y entendimiento de las gentes (The end of this amorous story and history ... with other things succeeded to the pastors named here, in the second part of this story promise in such, if with apace will this first comes received, to boldly come out in brevity to be seen by the eyes and understanding of the people.) The Galatea enjoyed moderate success, but any work that Cervantes may have begun on a conclusion was lost to history following his death. | |||||||||||||||||||||||||||||||||
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