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    Iago is a fictional character in William Shakespeare's Othello.



        Iago
            Overview
            Description of character
            Possible motives for Iago

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    Overview

    Iago, second in friendship to Othello behind Cassio, spends most of the play attempting to bring about Othello's downfall by leading him to believe his wife, Desdemona, is being unfaithful to him with Cassio, his chief lieutenant. He eventually does destroy Othello's reputation (which leads the Moor to kill himself) but sets the stage for his doom when his wife Emilia reveals his plot. At the end of the play Iago is ordered to be imprisoned by Cassio.

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    Description of character





    Iago is one of Shakespeare's most sinister villains. Shakespeare contrasts Iago with Othello's nobility and integrity. He has more lines in the play than Othello, the most that any of Shakespeare's non-title characters have. Iago is often referred to as "honest Iago," displaying his skill at deceiving other characters so that not only do they not suspect him, but they count on him as the person most likely to be truthful.

    Iago fits into the malcontent character type because of his bitter and cynical view of the world around him.


    While the play suggests motives for Iago's hateful scheming, many readers feel that a deeper root remains hidden. Iago cites suspicion that his wife has been unfaithful to him with Othello or bitterness that Othello passed him over for a big promotion but many interpretations of the play include the idea that Iago is a representation of the devil.

    Iago has been played in theatrical performances by many famous actors, such as Ian McKellen, Christopher Plummer, Laurence Olivier, Christopher Eccleston, Andy Serkis and Kenneth Branagh.



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    Possible motives for Iago
    Iago has been described as a "motiveless malignance" by Samuel Taylor Coleridge. This reading would seem to suggest that Iago, much like Don John in Much Ado About Nothing, wreaks havoc on the other characters' lives for no ulterior purpose.

    Possible analysed motives include:
      Failure to be promoted
      Jealousy (of Emilia, of Desdemona or of Othello)
      Sexual infidelity
      Insecurity
      Supreme intellect unregulated by emotion or conscience (psychopathy)

    In the exposition scene in Oth I,1, he himself states that his prime motivation is rancor at having been passed for promotion to the top post. Racism, disgust at seeing "a black ram tupping a white ewe", and supreme confidence in his ability to cause the fall of Othello and get away with it could therefore be considered quite secondary, although present. Later, in a soliloquy, it is revealed that he suspects Emilia of infidelity with Othello and Cassio.




     
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    This article is licensed under the GNU Free Documentation License [copyleft]. It uses material from the Wikipedia article "Iago". link