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    Georges Méliès (December 8, 1861January 21, 1938), full name Maries-Georges-Jean Méliès, was a French filmmaker famous for leading many technical and narrative developments in the earliest cinema. He was born in Paris, where his family manufactured shoes.


    He was very innovative in the use of special effects. He accidentally discovered the stop trick, or substitution, in 1896, and was one of the first filmmakers to use multiple exposures, time-lapse photography, dissolves, and hand-painted colour in his films. Because of his ability to seemingly manipulate and transform reality with the cinematograph, Méliès is sometimes referred to as the "Cinemagician."

    Before making films, he was a stage magician at the Theatre Robert-Houdin. In 1895, he became interested in film after seeing a demonstration of the Lumière brothers' camera. In 1897, he established a studio on a rooftop property in Montreuil. Actors performed in front of a painted set as inspired by the conventions of magic and musical theater. He directed 531 films between 1896 and 1914, ranging in length from one to forty minutes. In subject matter, these films are often similar to the magic theater shows that Méliès had been doing, containing "tricks" and impossible events, such as objects disappearing or changing size.

    His most famous film is A Trip to the Moon (Le voyage dans la lune) made in 1902, which includes the celebrated scene in which a spaceship hits the eye of the man in the moon. Also famous is The Impossible Voyage (Le voyage a travers l'impossible) from 1904. Both of these films are about strange voyages, somewhat in the style of Jules Verne. These are considered to be some of the most important early science fiction films, although their approach is closer to fantasy. Agents of Thomas Edison bribed a theater owner in London for a copy of A Trip to the Moon. Edison then made hundreds of copies and showed them in New York City. Méliès received no compensation.

    In addition horror cinema can be traced back to Georges Méliès's Le Manoir du diable (1896).

    In 1913 Georges Méliès' film company was forced into bankruptcy by the large French and American studios and his company was bought out of receivership by Pathé Frères. After being driven out of business Méliès became a toy salesman at the Montparnasse station. In 1932 the Cinema Society gave Méliès a home in Chateau D'Orly. Melies did not grasp the value of his films, and having some 500 films recorded on cellulose the French Army seized most of this stock to be melted down into boot heels during World War I. Many of the other films were sold to be recycled into new film. As a result many of these films do not exist today. In time, Méliès was rediscovered and honored for his work, eventually taking up stage performance.

    Georges Méliès has been awarded the Légion d'honneur (Legion of honor).

    Méliès died in Paris and was buried in the Père Lachaise Cemetery.


        Georges Méliès
            Popular culture
            Early filmography
            Videorecordings

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    Popular culture
      The name of his assistant for Le Voyage dans la Lune, Jean-Luc Despont, is a possible, but unlikely, source for the name of Jean-Luc Picard, a character from Star Trek.



      Canadian filmmaker Guy Maddin and video artist Timothy Hutchings are both contemporary culture workers who make motion pictures inspired by Méliès.


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    Early filmography

      The Bewitched Inn (1896)
      The Vanishing Lady / Escamotage d'une dame chez Robert-Houdin (1896)
      The Four Troublesome Heads /Un homme de têtes (1898)
      An Up-to-Date Conjuror / Illusioniste fin de siècle (1899)
      Cinderella / Cendrillon (1899)
      The Dreyfus Affair / L'affaire Dreyfus (1899)
      Fat and Lean Wrestling Match / Nouvelles luttes extravagantes (1900)
      One Man Band / L'homme-orchestre (1900)
      The Doctor's Secret (1900)
      Jeanne d'Arc (1900)
      The Man With The Rubber Head / L'homme à la tête de caoutchouc (1901)
      Bluebeard / Barbe bleu (1901)
      Extraordinary illusions (1903)
      The Enchanted Well (1903)
      The Apparation (1903)
      The Music Lover / Le mélomane (1903)
      The Infernal Boiling Pot / Le chaudron infernal (1903)
      The Infernal Cakewalk / Le cake-walk infernal (1903)
      The Mystical Flame / La flamme merveilleuse (1903)
      Kingdom of the Fairies / Le royaume des fées (1903)
      The Monster / Le monstre (1903)
      The Inn Where No Man Rests /L'Auberge du Bon Repos (1903)
      The Magic Lantern / La lanterne magicue (1903)
      The Ballet Master's Dream / La rêve du maître de ballet (1903)
      The Damnation of Faust / La damnation de Faust (1903)
      The Living Playing Cards / Les cartes vivantes (1904)
      Imperceptible Transmutations / Le thaumaturge chinois (1904)
      The Terrible Turkish Executioner / Le bourreau turc (1904)
      Untameable Whiskers / Le roi du maquillage (1904)
      The Scheming Gambler's Paradise / Te tripot clandestin (1905)
      Hilarious Posters / Les affiches en goguette (1905)
      Palace of the Arabian Knights / Le palais des Mille et une Nuits (1905)
      Paris to Monte Carlo / Le raid Paris-Monte Carlo en deux heures (1905)
      The Merry Frolics of Satan / Les 400 farces du diable (1906)
      The Mysterious Retort / L'alchimste Parafaragamus ou La cornue infernale (1906)
      The Eclipse / L'éclipse du soleil en pleine lune (1907)(image)
      Dream of an Opium Eater / Le rêve d'un fumeur d'opium (1907)
      The Devilish Tenant / Le locataire diabolique (1909)
      The Doctor's Secret / Le secret du médécin (1910)
      Baron Munchausen's Dream / Les hallucinations du Baron de Münchausen (1910)
      Conquest of the Pole / Á la conquète du pole (1910)

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    Videorecordings
      Films Of George Méliès
      The Great Train Robbery And Other Primary Works
      Marvelous Melies
      Méliès Le Cinémagicien
      Mes Mémoires.
      Pioneers Of The French Cinema Volume One
      Le Grand Méliès (1952) The life of Georges Méliès, is told in this biodrama director Georges Franju. Andre Méliès stars as his famous father.
     
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    This article is licensed under the GNU Free Documentation License [copyleft]. It uses material from the Wikipedia article "Georges Méliès". link