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Introduction

Donizetti (surname)}}Domenico Gaetano Maria Donizetti (; 29 November 1797 ? 8 April 1848) was an Italian composer from Bergamo, Lombardy. His best-known works are the operas L'elisir d'amore (1832), Lucia di Lammermoor (1835), and Don Pasquale (1843), all in Italian, and the French operas La favorite and La fille du régiment (both from 1840). Along with Vincenzo Bellini and Gioachino Rossini, he was a leading composer of bel canto opera.



        Introduction
                Biography
                Works
                                1816?1819
                                1820?1824
                                1825?1829
                                1830?1834
                                1835?1839
                                1840?1845
                        Choral works
                        Orchestral works
                        Concertos
                        Chamber works
                        Piano works
                Media
                Quotations


Biography

The youngest of three sons, Donizetti was born in 1797 in Bergamo's Borgo Canale quarter located just outside the city walls. His family was very poor with no tradition of music, his father being the caretaker of the town pawnshop. Nevertheless, Donizetti received some musical instruction from Simon Mayr, a German composer of internationally successful operas who had become maestro di cappella at Bergamo's principal church in 1802. Donizetti was not especially successful as a choirboy, but in 1806 he was one of the first pupils to be enrolled at the Lezioni Caritatevoli school, founded by Mayr, in Bergamo through a full scholarship. He received detailed training in the arts of fugue and counterpoint, and it was here that he launched his operatic career. After some minor compositions under the commission of , Donizetti wrote his ninth opera, Zoraida di Granata. This work impressed Domenico Barbaia, a prominent theatre manager, and Donizetti was offered a contract to compose in Naples. Writing in Rome and Milan in addition to Naples, Donizetti achieved some popular success in the 1820s (although critics were often unimpressed), but was not well known internationally until 1830, when his Anna Bolena was premiered in Milan. He almost instantly became famous throughout Europe. L'elisir d'amore, a comedy produced in 1832, came soon after, and is deemed one of the masterpieces of 19th-century opera buffa (as is his Don Pasquale, written for Paris in 1843). Shortly after L'elisir d'amore, Donizetti composed Lucia di Lammermoor, based on the Sir Walter Scott novel The Bride of Lammermoor. It became his most famous opera, and one of the high points of the bel canto tradition, reaching stature similar to Bellini's Norma. After the success of Lucrezia Borgia (1833) consolidated his reputation, Donizetti followed the paths of both Rossini and Bellini by visiting Paris, but his opera ''Marin Faliero'' suffered by comparison with Bellini's I puritani, and he returned to Naples to produce his already-mentioned masterpiece, Lucia di Lammermoor. As Donizetti's fame grew, so did his engagements, as he was further hired to write in both France and Italy. In 1838, he moved to Paris after the Italian censor objected to the production of Poliuto (on the grounds that such a sacred subject was inappropriate for the stage); there he wrote La fille du régiment, which became another success.As a conductor, he led the premiere of Rossini's Stabat Mater.Donizetti's wife, Virginia Vasselli, gave birth to three children, none of whom survived. Within a year of his parents' deaths, his wife, on 30 July 1837, died from cholera. By 1843, Donizetti exhibited symptoms of syphilis and probable bipolar disorder. After being institutionalized in 1845, he was sent to Paris, where he could be cared for. After visits from friends, including Giuseppe Verdi, Donizetti was sent back to Bergamo, his hometown. After several years in the grip of insanity, he died in 1848 in the house of the noble family Scotti. After his death Donizetti was buried in the cemetery of Valtesse but in the late 19th century his body was transferred to Bergamo's Basilica of Santa Maria Maggiore near the grave of his teacher Simon Mayr.Donizetti is best known for his operatic works, but he also wrote music in a number o
Works

Donizetti was a prolific composer. He composed about 75 operas, 16 symphonies, 19 string quartets, 193 songs, 45 duets, 3 oratorios, 28 cantatas, instrumental concertos, sonatas, and other chamber pieces.




1816?1819




1820?1824




1825?1829

    Elvida (6 July 1826, Teatro San Carlo, Naples)
    Gabriella di Vergy (written: 1826; premiere: 29 November 1869, Teatro San Carlo, Naples) (Gabriella)
    Olivo e Pasquale rev (1 September 1827, Teatro Nuovo, Naples)
    Emilia di Liverpool rev (8 March 1828, Teatro Nuovo, Naples)
    Il paria (12 January 1829, Teatro San Carlo, Naples)
    Il giovedi grasso (Il nuovo Pourceaugnac) (26 February 1829?, Teatro del Fondo, Naples)




1830?1834

    Gianni di Parigi (written: 1831; premiere: 10 September 1839, Teatro alla Scala Milan)
    La romanzesca e l'uomo nero (or La romanziera e l'uomo nero) (18 June 1831, Teatro del Fondo, Naples) (arias and ensembles survive but spoken dialogue is lost)
    Fausta (12 January 1832, Teatro San Carlo, Naples)
    Otto mesi in due ore rev (1833, Livorno)
    Il diluvio universale rev (17 January 1834, Teatro Carlo Felice, Genoa)
    Maria Stuarda rev () (18 October 1834, Teatro San Carlo, Naples)




1835?1839

    Belisario (4 February 1836, Teatro La Fenice, Venice)
    Pia de' Tolomei rev (31 July 1837, Sinigaglia)
    Betly rev ((?) 29 September 1837, Teatro del Fondo, Naples)
    Gabriella di Vergy rev (written: 1838; August 1978 recording, London)
    Poliuto (written: 1838; premiere: 30 November 1848, Teatro San Carlo, Naples)
    Le duc d'Albe (written: 1839; premiere: 22 March 1882, Teatro Apollo, Rome) (Il duca d'Alba)




1840?1845

    Lucrezia Borgia rev 2 (31 October 1840, Théâtre-Italien, Paris)
    Adelia (11 February 1841, Teatro Apollo, Rome)
    Rita (Deux hommes et une femme) (written: 1841; premiere: 7 May 1860, Opéra-Comique, Paris)
    Linda di Chamounix rev (17 November 1842, Théâtre-Italien, Paris)
    Dom Sébastien rev (6 February 1845, Kärntnertortheater, Vienna)




Choral works

    Ave Maria
    Grande Offertorio
    Il sospiro
    Messa da Requiem
    Messa di Gloria e Credo
    Miserere (Psalm 50)




Orchestral works

    Allegro for Strings in C major
    Larghetto, tema e variazioni in E flat major
    Sinfonia Concertante in D major (1818)
    Sinfonia for Winds in G minor (1817)
    Sinfonia in A major
    Sinfonia in C major
    Sinfonia in D major
    Sinfonia in D minor




Concertos

    Concertino for Clarinet in B flat major
    Concertino for English Horn in G major (1816)
    Concertino in C minor for flute and chamber orchestra (1819)
    Concertino for Flute and Orchestra in C major
    Concertino for Flute and Orchestra in D major
    Concertino for Oboe in F major
    Concertino for Violin and Cello in D minor
    Concerto for 2 Clarinets "Maria Padilla"
    Concerto for Violin and Cello in D minor




Chamber works

    Andante sostenuto for Oboe and Harp in F minor
    Introduction for Strings in D major
    Larghetto and Allegro for Violin and Harp in G minor
    Largo/Moderato for Cello and Piano in G minor
    Nocturnes (4) for Winds and Strings
    Quartet for Strings in D major
    Quartet for Strings no 3 in C minor: 2nd movement, Adagio ma non troppo
    Quartet for Strings no 4 in D major
    Quartet for Strings no 5 in E minor
    Quartet for Strings no 5 in E minor: Larghetto
    Quartet for Strings no 6 in G minor
    Quartet for Strings no 7 in F minor
    Quartet for Strings no 8 in B flat major
    Quartet for Strings no 9 in D minor
    Quartet for Strings no 10 in G minor
    Quartet for Strings no 11 in C major
    Quartet for Strings no 12 in C major
    Quartet for Strings no 13 in A major
    Quartet for Strings no 14 in D major
    Quartet for Strings no 15 in F major
    Quartet for Strings no 16 in B minor
    Quartet for Strings no 17 in D major
    Quartet for Strings no 18 in E minor
    Quartet for Strings no 18 in E minor: Allegro
    Quintet for Guitar and Strings no 2 in C major
    Solo de concert
    Sonata for Flute and Harp
    Sonata for Flute and Piano in C major
    Sonata for Oboe and Piano in F major
    Study for Clarinet no 1 in B flat major
    Trio for Flute, Bassoon and Piano in F major




Piano works

    Adagio and Allegro for Piano in G major
    Allegro for Piano in C major
    Allegro for Piano in F minor
    Fugue for Piano in G minor
    Grand Waltz for Piano in A major
    Larghetto for Piano in C major
    Pastorale for Piano in E major
    Presto for Piano in F minor
    Sinfonia for Piano in A major
    Sinfonia for Piano no 1 in C major
    Sinfonia for Piano no 1 in D major
    Sinfonia for Piano no 2 in C major
    Sinfonia for Piano no 2 in D major
    Sonata for Piano in C major
    Sonata for Piano in F major
    Sonata for Piano in G major
    Variations for Piano in E major
    Variations for Piano in G major
    Waltz for Piano in A major
    Waltz for Piano in C major
    Waltz for Piano in C major "The Invitation"




Media




Quotations

    "Ah, by Bacchus, with this aria I shall receive universal applause. People will say to me, ?Bravo maestro!?
I, in a very modest manner, shall walk about with bowed head; I?ll have rave reviews?I can become immortal?
My mind is vast, my genius swift...
And at composing, a thunderbolt am I."
(From a poem composed by 14-year-old Gaetano Donizetti)
    "Donizetti, when asked which of his own operas he thought the best, spontaneously replied, 'How can I say which? A father always has a preference for a crippled child, and I have so many.'" (Louis Engel: "From Mozart to Mario", 1886)





 
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