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The First Phase
The Second Phase The second phase of Frankfurt School critical theory centres principally on two works that rank as classics of twentieth-century thought: Horkheimer's and Adorno's Dialectic of Enlightenment (1944) and Adorno's Minima Moralia (1951). The authors wrote both works during the Institute's American exile in the Nazi period. While retaining much of the Marxian analysis, in these works critical theory has shifted its emphasis. The critique of capitalism has turned into a critique of Western civilization as a whole. Indeed, the Dialectic of Enlightenment uses the Odyssey as a paradigm for the analysis of bourgeois consciousness. Horkheimer and Adorno already present in these works many themes that have come to dominate the social thought of recent years: the domination of nature appears as central to Western civilization long before ecology had become a catchphrase of the day. The analysis of reason now goes one stage further. The rationality of Western civilization appears as a fusion of domination and of technological rationality, bringing all of external and internal nature under the power of the human subject. In the process, however, the subject itself gets swallowed up, and no social force analogous to the proletariat can be identified that will enable the subject to emancipate itself. Hence the subtitle of Minima Moralia: "Reflections from Damaged Life". In Adorno's words, "For since the overwhelming objectivity of historical movement in its present phase consists so far only in the dissolution of the subject, without yet giving rise to a new one, individual experience necessarily bases itself on the old subject, now historically condemned, which is still for-itself, but no longer in-itself. The subject still feels sure of its , but the nullity demonstrated to subjects by the concentration camp is already overtaking the form of subjectivity itself." Consequently, at a time when it appears that reality itself has become ideology, the greatest contribution that critical theory can make is to explore the dialectical contradictions of individual subjective experience on the one hand, and to preserve the truth of theory on the other. Even the dialectic can become a means to domination: "Its truth or untruth, therefore, is not inherent in the method itself, but in its intention in the historical process." And this intention must be toward integral freedom and happiness: "the only philosophy which can be responsibly practised in face of despair is the attempt to contemplate all things as they would present themselves from the standpoint of redemption". How far from orthodox Marxism is Adorno's conclusion: "But beside the demand thus placed on thought, the question of the reality or unreality of redemption itself hardly matters." Adorno, a trained musician, wrote The Philosophy of Modern Music, in which he, in essence, polemicizes against beauty itself -- because it has become part of the ideology of advanced capitalist society and the false consciousness that contributes to domination by prettifying it. Avant-garde art and music preserve the truth by capturing the reality of human suffering. Hence: "What radical music perceives is the untransfigured suffering of man... The seismographic registration of traumatic shock becomes, at the same time, the technical structural law of music. It forbids continuity and development. Musical language is polarized according to its extreme; towards gestures of shock resembling bodily convulsions on the one hand, and on the other towards a crystalline standstill of a human being whom anxiety causes to freeze in her tracks... Modern music sees absolute oblivion as its goal. It is the surviving message of despair from the shipwrecked." This view of modern art as producing truth only through the negation of traditional aesthetic form and traditional norms of beauty because they have become ideological is characteristic of Adorno and of the Frankfurt School generally. It has been criticized by those who do not share its conception of modern society as a false totality that renders obsolete traditional conceptions and images of beauty and harmony. The Third Phase From these thoughts only a short step remained to the third phase of the Frankfurt School, which coincided with the postwar period, particularly from the early 1950s to the middle 1960s. With the growth of advanced industrial society under Cold War conditions, the critical theorists recognized that the structure of capitalism and history had changed decisively, that the modes of oppression operated differently, and that the industrial working class no longer remained the determinate negation of capitalism. This led to the attempt to root the dialectic in an absolute method of negativity, as in Marcuse's One-Dimensional Man and Adorno's Negative Dialectics. During this period the Institute of Social Research re-settled in Frankfurt (although many of its associates remained in the United States), with the task not merely of continuing its research but of becoming a leading force in the sociological education and democratization of West Germany. This led to a certain systematization of the Institute's entire accumulation of empirical research and theoretical analysis. More importantly, however, the Frankfurt School attempted to define the fate of reason in the new historical period. While Marcuse did so through analysis of structural changes in the labor process under capitalism and inherent features of the methodology of science, Horkheimer and Adorno concentrated on a re-examination of the foundation of critical theory. This effort appears in systematized form in Adorno's Negative Dialectics, which tries to redefine dialectics for an era in which "philosophy, which once seemed obsolete, lives on because the moment to realize it was missed". Negative dialectics expresses the idea of critical thought so conceived that the apparatus of domination cannot co-opt it. Its central notion, long a focal one for Horkheimer and Adorno, suggests that the original sin of thought lies in its attempt to eliminate all that is other than thought, the attempt by the subject to devour the object, the striving for identity. This reduction makes thought the accomplice of domination. Negative Dialectics rescues the "preponderance of the object", not through a naive epistemological or metaphysical realism but through a thought based on differentiation, paradox, and ruse: a "logic of disintegration". Adorno thoroughly criticizes Heidegger's fundamental ontology, which reintroduces idealistic and identity-based concepts under the guise of having overcome the philosophical tradition. Negative Dialectics comprises a monument to the end of the tradition of the individual subject as the locus of criticism. Without a revolutionary working class, the Frankfurt School had no one to rely on but the individual subject. But, as the liberal capitalist social basis of the autonomous individual receded into the past, the dialectic based on it became more and more abstract. This stance helped prepare the way for the fourth, current phase of the Frankfurt School, shaped by the communication theory of Habermas. Habermas's work takes the Frankfurt School's abiding interests in rationality, the human subject, democratic socialism, and the dialectical method and overcomes a set of contradictions that always weakened critical theory: the contradictions between the materialist and transcendental methods, between Marxian social theory and the individualist assumptions of critical rationalism between technical and social rationalization, and between cultural and psychological phenomena on the one hand and the economic structure of society on the other. The Frankfurt School avoided taking a stand on the precise relationship between the materialist and transcendental methods, which led to ambiguity in their writings and confusion among their readers. Habermas' epistemology synthesizes these two traditions by showing that phenomenological and transcendental analysis can be subsumed under a materialist theory of social evolution, while the materialist theory makes sense only as part of a quasi-transcendental theory of emancipatory knowledge that is the self-reflection of cultural evolution. The simultaneously empirical and transcendental nature of emancipatory knowledge becomes the foundation stone of critical theory. By locating the conditions of rationality in the social structure of language use, Habermas moves the locus of rationality from the autonomous subject to subjects in interaction. Rationality is a property not of individuals per se, but rather of structures of undistorted communication. In this notion Habermas has overcome the ambiguous plight of the subject in critical theory. If capitalistic technological society weakens the autonomy and rationality of the subject, it is not through the domination of the individual by the apparatus but through technological rationality supplanting a describable rationality of communication. And, in his sketch of communicative ethics as the highest stage in the internal logic of the evolution of ethical systems, Habermas hints at the source of a new political practice that incorporates the imperatives of evolutionary rationality. Frankfurt School critical theory has influenced some segments of the Left wing and leftist thought (particularly the New Left). Herbert Marcuse has occasionally been described as the theorist or intellectual progenitor of the New Left. Their work also heavily influenced intellectual discourse on popular culture and scholarly popular culture studies. Major Frankfurt school thinkers and scholars Critics of the Frankfurt School Several camps of criticism of the Frankfurt School have emerged. Both of these criticisms were captured in Georg Lukács's phrase "Grand Hotel Abyss" as a syndrome he imputed to the members of the Frankfurt School. Notable critics of the Frankfurt School See also | ||||||||||||
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