Dudley Stuart John Moore, CBE (19 April, 1935 – 27 March, 2002), was a British musician, actor and comedian who was enormously popular in his home country for many years but relatively unknown in the United States until he made the film 10 with Bo Derek.

He was born to working-class parents who showed little affection to their offspring (as his older sister publicly revealed) in Dagenham, Essex, England, and he was notably short: 5' 2½" (1.59 m). He was born with a club foot which required extensive hospital treatment and which, coupled with his diminutive stature, made him the butt of jokes by other children. Seeking refuge from his problems, he became a choirboy at the age of six and took up piano and violin. He rapidly developed into a talented pianist and organist and was playing the organ at church weddings by age 14. He attended Dagenham County High School where he received musical tuition from a dedicated teacher, Peter Cork. Cork later went on to become an important friend and confidant to Moore, corresponding with him until 1994. *

While studying music and composition at Oxford University (Magdalen College, where he was an organ scholar), Moore was noticed by Alan Bennett, who recommended him to the producer putting together Beyond the Fringe, a comedy revue which many see as a forerunner to Monty Python's Flying Circus. Beyond the Fringe was at the forefront of the 1960s satire boom. After enormous success in Britain, it transferred to the USA, where it was also a hit.

During his university years, Moore became passionately interested in jazz and soon became an accomplished jazz pianist and composer as well as working with leading musicians such as John Dankworth and Cleo Laine. In 1960 he left Dankworth's band to work on Beyond the Fringe. Later in the 1960s he formed the acclaimed "Dudley Moore Trio" (with drummer Chris Karan and bassists Pete McGurk and later Peter Morgan), who performed regularly on British television, made numerous recordings, and had a long-running residency at Peter Cook's "Establishment Club."



After following the Establishment Club to New York City, Moore returned to the UK and was offered his own series on the BBC. Not Only... But Also (1965) was commissioned as a vehicle for Moore, but when he invited Peter Cook on as a guest, their comedy partnership was so notable that it became a fixture of the series. Cook and Moore are most remembered for their sketches as two working-class men, Pete and Dud, in macs and cloth caps, commenting on politics and the arts, but they fashioned a series of character one-offs, usually with Moore in the role of interviewer to one of Cook's upper-class eccentrics. The pair developed an unorthodox method for scripting the material by using a tape recorder to tape an adlibbed routine that they would then have transcribed and edited. This would not leave enough time to fully rehearse the script so they often had a set of cue cards. Moore was famous for "corpsing"—the programmes often went on live, and Cook would deliberately make him laugh in order to get an even bigger reaction from the studio audience. Regrettably, many of the videotapes and film reels of these seminal TV shows were later erased by the BBC (an affliction which wiped out large portions of other British television productions as well, such as Doctor Who), although some of the soundtracks (which were issued on record) have survived.

Moore and Cook co-starred in the film Bedazzled (1967) with Eleanor Bron, and also had tours called Behind the Fridge and Good Evening. Bedazzled was remade in 2000 with Brendan Fraser and Elizabeth Hurley in the lead roles.

However, their three albums of the late 1970s as Derek and Clive, were widely condemned for their use of obscene language and shocking, ad-libbed content. Shortly following the last of these, Ad Nauseum, Moore made a break with Cook, whose alcoholism was affecting his work, to concentrate on his film career. Ironically, when Moore began to manifest the symptoms of the disease that eventually killed him, it was at first suspected that he too had a drinking problem. Further irony manifested itself in two of Moore's early starring roles, most famously the titular drunken playboy Arthur, and to a lesser extent the heavy drinker George Webber in 10.

In the late 1970s, Moore moved to Hollywood, where he appeared in Foul Play (1978) with Goldie Hawn and Chevy Chase. The following year saw his breakout role in Blake Edwards's 10, which he followed up with the movie Wholly Moses. Soon thereafter Arthur, an even bigger hit than 10, which also starred Liza Minnelli and the late Sir John Gielgud (who won an Oscar for his role as Arthur's stern but loving caretaker) and the late Geraldine Fitzgerald (who played his wealthy, socially prominent, relentless grandmother who insists that he marry the daughter of a business associate of the family, and threatens to disinherit him if he doesn't do so). Moore was nominated for a Best Actor Academy Award but lost to Henry Fonda (for "On Golden Pond").

His subsequent films, including an Arthur sequel and an animated adaptation of ''King Kong'', were inconsistent in terms of both critical and commercial reception. In later years Cook would wind-up Moore by claiming he preferred Arthur 2: On the Rocks to Arthur.

In addition to acting, Moore continued to work as a composer and pianist, composing scores for numerous films and giving piano concerts, which were highlighted by his popular parodies of classical favourites.

Moore was married to actresses Suzy Kendall and Tuesday Weld (by whom he had a son, Patrick, in 1976). His third and fourth wives were Brogan Lane and Nicole Rothschild (one son, Nicholas, born in 1995). Moore dated and was a favorite of some of Hollywood's most attractive women, including the statuesque Susan Anton; he was generally known as "Cuddly Dudley".

Moore was deeply affected by the untimely death of Peter Cook in 1995, and for weeks would regularly telephone Cook's home in London just to get the answerphone and hear his friend's voice. Moore attended Cook's memorial service in London and at the time many people who knew him noted that Moore was behaving strangely and attributed it to grief or drinking. In November 1995, Moore teamed up with friend and humorist Martin Lewis in organizing a two-day salute to Cook in Los Angeles which Moore co-hosted with Lewis.

In September 1999, Moore announced he was suffering from progressive supranuclear palsy, for which there is no treatment.

In June 2001, Dudley Moore was created a Commander of the Order of The British Empire (CBE). Despite his deteriorating condition he attended the ceremony, mute and wheelchair-bound, at Buckingham Palace to collect his honour.

On March 27, 2002, he succumbed to the pneumonia which was a side effect of progressive supranuclear palsy, at the age of 66 in Watchung, New Jersey. Moore was interred in Hillside Cemetery located in Scotch Plains, New Jersey.

In December 2004, the Channel 4 television network in the UK broadcast Not Only But Always, a television movie dramatising the relationship between Moore and Cook, although the focus of the production was on Cook. The role of Moore was played by Irish actor Aidan McArdle.

But around this time Moore was also the focus of a stage play, Pete and Dud: Come Again, which aimed to examine his turbulent relationship with Cook while at the same time celebrating the contribution he made to their comedy. Written by Chris Bartlett and Nick Awde, the play premiered at the Assembly Rooms as part of the Edinburgh Fringe in August 2005, before transferring to The Venue in London's West End in March 2006. Moore was played by English actor Kevin Bishop.