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Daft Punk is the collective name of Paris musicians Guy-Manuel de Homem-Christo (born February 8, 1974) and Thomas Bangalter (born January 3, 1975). The duo are considered one of the most successful electronic music collaborations of all time, both in album sales and in critical acclaim.
Daft Punk
History
Use of visual components
Live performances
Appearances in media
Grammy nominations
Discography
Albums
Singles
Remixes
VHS/DVD
See also
| | Name | Daft Punk | | Img | Daft punk2.jpg
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History


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The name Daft Punk was derived from a review in the British music magazine Melody Maker, which dubbed their first collaboration, the Beach Boys-inspired guitar group Darlin', "a bunch of daft punk." Thomas Bangalter and Guy-Manuel de Homem-Christo would later abandon this indie rock setup (which included member Laurent Brancowitz) in favor of drum machines and synthesizers. In 1993 Daft Punk sent a demo to Scotland-based label Soma Recordings that formed the basis for their debut single "The New Wave", a limited release in 1994.
Their first commercially successful single "Da Funk" came the following year, and was later included on their 1997 debut album Homework. The album was regarded as an innovative synthesis of Techno, house, acid house and electro styles, and is widely acknowledged as one of the most influential dance music albums of the nineties. "Around the World" was the most successful single from Homework, known for its hypnotic chant of the song's title and distinctive music video directed by Michel Gondry. A collection of music videos for Homework was released in 1999 and titled D.A.F.T. - A Story about Dogs, Androids, Firemen and Tomatoes.
2001's Discovery took on a slicker and distinctly synth-pop oriented style, initially stunning fans of their previous material in Homework. The group states that the album was conceived as an attempt to re-connect with a playful, open minded attitude associated with the discovery phase of childhood. This accounts for the heavy use of themes and samples from the late '70s to early '80s era on the album. Interestingly enough, more than two tracks had unacknowledged samples. The album reached
2 in the UK, and its single "One More Time" was a major club hit, creating a new generation of fans mainly familiar with the sophomore Daft Punk release. The singles "Digital Love" and "Harder, Better, Faster, Stronger" were also very successful in the UK and on the US dance chart, and "Face to Face" hit 1 on the US club play charts despite a limited single release. A 45-minute excerpt from a Daftendirektour performance recorded in Birmingham in 1997 was also released in 2001, entitled Alive 1997.
2003 saw the release of the feature-length animated film Interstella 5555: The 5tory of the 5ecret 5tar 5ystem. Daft Punk co-produced the film with Leiji Matsumoto, whom they quote is their childhood hero. The album Daft Club was also released to promote the film and features a collection of remixes previously made available through an online membership service of the same name.
In 2005, Human After All was released, a 10-track album running 45 minutes and recorded in a mere 6 weeks. Reviews were mixed, mostly citing its overly repetitive nature and seemingly rushed recording. The singles off this album were "Robot Rock", "Technologic", "Human After All" and "The Prime Time of Your Life". The earliest official statement from Daft Punk concerning the album was "we believe that Human After All speaks for itself".
A Daft Punk anthology CD/DVD entitled Musique Vol. 1 1993-2005 was released on April 4, 2006. It contains new videos for "The Prime Time of Your Life" and "Robot Rock (Maximum Overdrive)".
On May 22, 2006, Daft Punk premiered their first directed film, Daft Punk's Electroma at the Cannes Film Festival sidebar Director's Fortnight. The film does not include their own music, which is a first for the duo considering their previous DVD and film releases (D.A.F.T. for Homework and Interstella 5555 for Discovery). It is currently unknown whether the film will be released on DVD.
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Use of visual components

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Daft Punk are noted for their use of visual components associated with their musical productions. The music videos for their singles from Homework featured memorable characters and were directed by cult video producers, including Spike Jonze and Michel Gondry. The album Discovery subsequently became the soundtrack to Interstella 5555. Many US fans were introduced to Daft Punk through a special presentation of their videos during Cartoon Network's Toonami block on August 31, 2001.
Their outward personae have also changed over time. During their Homework years, the duo would usually wear masks to hide their appearance. On some occasions they preferred to be replaced by animation (as they appeared in The Work of Director Michel Gondry DVD) or interviewed from the back of their heads when not wearing disguises (as shown in a video clip). Very few photos of the duo's faces exist, including a blurry one which can be found in Homeworks liner notes.
In their more visible Discovery years, and ever since, they have appeared as futuristic robots for publicity photo shoots, interviews, live shows and music videos. These costumes sport remarkably complicated helmets capable of various LED effects and metallic finger gloves. Thomas Bangalter once explained:
During a video interview shot in Japan, Daft Punk stated that they adorned their robot masks to easily merge the characteristics of humans and machines. However, Bangalter later admitted that the costumes were initially a result of shyness. "But then it became exciting from the audiences' point of view. It's the idea of being an average guy with some kind of superpower."[Suzanne Ely, "Return of the Cybermen" Mixmag (July 2006)]
With the release of Human After All, the musical duo's outfits became slightly less complicated, consisting of simplified versions of the Discovery head gear and black leather jumpsuits. The mystery of their identity and the elaborate nature of their disguises has added to their international popularity.
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Live performances
In the mid-to-late nineties, Daft Punk performed live without costumes in many places including the United States. In particular, a rare bootlegged video featuring the duo in Wisconsin matches the verified identity of Thomas Bangalter. Less clearly seen, Guy-Manuel de Homem-Christo is to Bangalter's right and is mostly cut off from the camera. Comparing the artwork packaging of Homework to the video footage, one can verify that the album's liner note photo was taken during this event.
In the fall of 1997 they did their Daftendirektour to promote Homework in several cities throughout the world. For this tour Daft Punk notably opted to utilize their home studio equipment for the live stage instead of creating a more conventional DJ set. Also of note is the November 8 performance in Birmingham (U.K.) from which came the recording of Alive 1997.
At the start of 2006, Daft Punk announced plans for a number of special summer shows. On April 29, Daft Punk performed at the Coachella Valley Music and Arts Festival where they received a jubilant reception for their first U.S. performance since 1997.[Coachella Show Review on Merry Swankster] The full list of Summer 2006 dates and locations are shown below.
July 28: Global Gathering, Stratford upon Avon, U.K.
August 5: Festival Sudoeste, Zambujeira do Mar, Portugal
Thomas Bangalter has been reported as saying that there will be a DVD of their 2006 live set.[Interview at French Touch Forum]
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Appearances in media

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In "Losing My Edge," a later track of the same album, LCD Soundsystem also (facetiously) bragged about being the first to "play Daft Punk to the rock kids."
Daft Punk produced the Teriyaki Boyz song "HeartBreaker" on the album Beef or Chicken. The song contains a sample of "Human After All".
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Grammy nominations
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Discography
Main article: Daft Punk discography
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Albums
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Singles
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Remixes
The Micronauts - "Get Funky Get Down" (1995)
I:Cube - "Disco Cubizm" (1996)
Scott Grooves - "Mothership Reconnection" (1998)
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VHS/DVD
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See also
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