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    This article is about the film; for the classification, see Close encounter.


    Close Encounters of the Third Kind (1977) is a science fiction movie about UFOs, written and directed by Steven Spielberg. It stars Richard Dreyfuss, François Truffaut, Bob Balaban, Melinda Dillon, Teri Garr, and Cary Guffey. The movie has visual effects by Douglas Trumbull and a score composed by John Williams.

    Close Encounters was perhaps the most important science fiction movie up to that point to introduce benign or even kind aliens, a sharp departure from the 'evil monster' style of most earlier films. It popularised a number of motifs, most of which were drawn from earlier, purportedly genuine UFO encounters: alien abduction, small and thin aliens ("greys"), and UFOs covered in lights rather than the disc shapes more popular in the 1950s and 1960s. The moral contradiction between the aliens' benevolence and the forced abductions they conduct is left unexplored.

    The movie has been revised numerous times, notably for a 132-minute "Special Edition" reissue in 1980 and again for a 137-minute "Collector's Edition" in 1988 (see List of films recut by studio for details on these alternate versions). The Special Edition features several new character development scenes, the discovery of a lost ship, the Cotopaxi, in the Gobi Desert, and a view of the inside of the mothership. The interior of the mothership is deleted from the "Collector's Edition" (Spielberg added this scene as a concession to be allowed to make the Special Edition. He decided it was a mistake and removed it in the later edition).


        Close Encounters of the Third Kind
            Plot Overview
            Trivia
            See also
    NameClose Encounters of the Third Kind
    image
    DirectorSteven Spielberg
    ProducerJulia Phillips
    Michael Phillips
    Clark L...
    WriterSteven Spielberg
    StarringRichard Dreyfuss
    François Truffaut
    MusicJohn Williams
    CinematographyVilmos Zsigmond
    EditingMichael Kahn
    Production CompanyColumbia Pictures
    DistributorColumbia Pictures
    Released16 November, 1977
    RuntimeVarious, including:
    Original 70MM Versio...
    CountryUSA / UK
    AwardsAcademy Awards
    LanguageEnglish Language
    Budget$20,000,000
    GrossDomestic
    $116,395,460
    Foreign
    $171,7...
    Amg Id1:10031

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    Plot Overview

    The movie plot has three basic threads:

      A group of scientific researchers including Lacombe (Truffaut) and Laughlin (Balaban) investigate UFO reports worldwide, and discover a lost squadron of World War II aircraft (see Flight 19) in a Mexican desert.
      During a motorized pursuit of several UFOs that was probably modelled on the Portage County UFO Chase, Indiana electrical lineman Roy Neary (Dreyfuss) experiences a close encounter of the second kind (a sighting that leaves physical evidence) and thereafter becomes obsessed with UFOs, to the great dismay of his family. He begins making endless models of a distinctive mountain or hill - a place he has never actually seen, and with which he is unfamiliar. At one point, he and his wife (Garr) attend a meeting featuring both patronizing and skeptical government officials, and an archetypal crackpot ("I saw Bigfoot once!")
      Jillian Guiler (Dillon) witnesses a UFO landing, in which her son Barry (Guffey) is abducted by aliens who appear to invade her home. Soon after, Guiler also becomes obsessed with the mental picture of a unique-looking mountain.

    After Neary's increasingly bizarre conduct causes his family to abandon him, he sees the feature he has been modelling on a television news show: the Devil's Tower in Wyoming. Guiler also sees the same news broadcast, and both Neary and Guiler - as well as others with similar experiences - obsessively head toward the site. Elsewhere in the world, the pace of alien activity is increasing; Lacombe (a character based on Jacques Vallee) and Laughlin investigate a host of weird occurrences along with other United Nations experts.

    After Laughlin recognizes a signal from space as a simple set of geographical coordinates pointing to Devil's Tower, all parties begin to converge on Wyoming. The United States Army evacuates the area after spreading false reports that a train wreck has spilled highly dangerous nerve gas, all the while preparing a landing zone for the first human contact with an alien civilization. While the other humans drawn to the site through their visions fail, Neary and Guiler persist and make it to the site as dozens of spacecraft appear. The alien mothership lands, and returns people who'd been abducted over the years, including Guiler's son. With an understanding of peace between the two civilizations, the aliens take Neary on board their ship as an ambassador from Earth, and take off for the stars.

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    Trivia

      Spielberg was given an unprecedented budget of US $20M (1977). However, the film lacked the merchandising and sequel potential of Star Wars, hence the drive to extract extra earnings by releasing 'Special Editions'.
      When the original director of Jaws 2 was fired, Spielberg considered taking over. However, his contractual obligations to Close Encounters of the Third Kind meant that production on the sequel would have been delayed by an expensive year.
      The motif woven through the film (the five tones that the space ship plays back and forth with the humans) is re - mi - do - do (octave lower) - so(l). These tones all lie on a major pentatonic scale. The motif has shown up in later movies and TV shows, notably as a code entered on a pushbutton keypad in Moonraker of the James Bond series and in the Power Glove sequence of The Wizard. The five notes were also rearranged for the theme to Jurassic Park, also composed by John Williams. In one episode of the short-lived animated series The Oblongs, the tones are used for the doorbell of an alien masquerading as a teenage girl.
      At the climactic scene, François Truffaut and the alien use Kodály Hand Signs to express this motif. The alien smiles after doing so; Spielberg was slightly surprised and pleased that the prop could muster the facial gesture.
      Astronomer J. Allen Hynek, a UFO researcher who coined the term "close encounter," was a consultant for the film, makes a cameo appearance as a scientist smoking a pipe near the end of the picture.
      Spielberg initially wanted the mothership to be very dark, but later on decided to make it extremely bright. A model of the mothership used during filming is on display at the National Air and Space Museum's Steven F. Udvar-Hazy Center in Northern Virginia; the model includes a number of easter egg hidden objects integrated in and around the ship's antennas, domes and other structures. Examples include a 1930s automobile, a cemetery, a VW Bus and a small model of R2-D2.
      During an interview years later, Richard Dreyfuss was asked whether there would ever be a sequel to Close Encounters. He responded that, "The sequel to Close Encounters was E.T. the Extra-Terrestrial."
      To those familiar with the filming site, there is some geographic license taken in the famous scene in which Richard Dreyfuss' character Roy Neary is on his way to investigate the blackout. He is on Cornbread Rd. and he stops on a railroad crossing, and becomes enveloped in light from the UFO. Cornbread Rd. exists, however the railroad crossing does not. Cornbread Rd. runs mostly parallel to the CSX Transportation line that comes close, but never crosses.
      The synthesizer used to communicate with the aliens at the end of the film is an ARP 2500 modular system. Phil Dodds, a tech from ARP Instruments Inc., is the man playing the keyboard.
      Melinda Dillon takes some photos of Dreyfuss's departure with the aliens using a Rollei 35 B compact camera.
      The coordinates for the Devils's Tower in Wyoming as given in the movie are incorrect. While the longitude is correct (104 deg, 44 min, 30 sec), the latitude is 04 degrees south of where the Devils' Tower National Monument is located (44 deg 36 min 10 sec).
      The movie is also spoofed in two epsiodes of The Simpsons. In the episode "The Springfield Files", Homer sculpts his mashed potatoes into a shape similar to the Devils Tower after he encounters what he believes to be an alien. In another episode called "Homie the Clown", Homer forms a large mashed potato circus tent after becoming obsessed with a billboard advertising a local clown college.
      In the film UHF, George Newman (%22Weird Al%22 Yankovic) sculpts his mashed potatoes into the Devil's Tower and says, "This means something, this is important."
      The mashed potato sculpture is once more spoofed in the film Muppets From Space, where a fan of Gonzo presents Kermit the frog with a mashed potato sculpture of Gonzo's head.
      Close Encounters was parodied in an eighth-season episode of the British comedy The Goodies entitled "U-Friend or UFO?". Steven Spielberg was a fan of The Goodies and in 1979 he considered making a film with the British trio.

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    See also
      Serpo.org, The Zeta Reticuli Exchange Program is a conspiracy theory website that purports that the US Government has been secretly involved with an extraterrestrial civilization since 1965 and has been covering it up. Among other "activities", it claims that personnel exchanges like the one seen in the film have been occurring on a regular basis. See Serpo for more.
     
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