|
American literature refers to written or literary work produced in the area of the United States and Colonial America. For more specific discussions of poetry and theater, see Poetry of the United States and Theater in the United States. Overview During its early history, America was a series of British colonies on the eastern coast of the present-day United States. Therefore, its literary tradition begins as linked to the broader tradition of English literature. However, unique American characteristics and the breadth of its production usually now causes it to be considered a separate path and tradition. Colonial literature Some of the earliest American literature were pamphlets and writings extolling the benefits of the colonies to both a European and colonist audience. John Smith of Jamestown could be considered the first American author with his works: A True Relation of ... Virginia ... (1608) and The generall Historie of Virginia, New England, and the Summer Isles (1624). Other writers of this manner included Daniel Denton, Thomas Ashe, William Penn, George Percy, William Strachey, John Hammond, Daniel Coxe, Gabriel Thomas, and John Lawson. The religious disputes that prompted settlement in America were also topics of early writing. A journal written by John Winthrop discussed the religious foundations of the Massachusetts Bay Colony. Edward Winslow also recorded a diary of the first years after the Mayflower's arrival. Other religiously influenced writers included Increase Mather and William Bradford, author of the journal published as a History of Plymouth Plantation, 1620–47. Others like Roger Williams and Nathaniel Ward more fiercely argued state and church separation. Some poetry also existed. Anne Bradstreet and Edward Taylor are especially noted. Michael Wigglesworth wrote a best-selling poem, The Day of Doom, describing the time of judgement. Nicholas Noyes was also known for his doggerel verse. Other early writings described conflicts and interaction with the Indians, as seen in writings by Daniel Gookin, Alexander Whitaker, John Mason, Benjamin Church, and Mary Rowlandson. John Eliot translated the Bible into the Algonquin language. Jonathan Edwards and Cotton Mather represented the Great Awakening, a religious revival in the early 18th century that asserted strict Calvinism. Other Puritan and religious writers include Thomas Hooker, Thomas Shepard, Uriah Oakes, John Wise, and Samuel Willard. Less strict and serious writers included Samuel Sewall, Sarah Kemble Knight, and William Byrd. The revolutionary period also contained political writings, including those by colonists Samuel Adams, Josiah Quincy, John Dickinson, and Joseph Galloway, a loyalist to the crown. Two key figures were Benjamin Franklin and Thomas Paine. Franklin's Poor Richard's Almanack and The Autobiography of Benjamin Franklin are esteemed works with their wit and influence toward the formation of a budding American identity. Paine's pamphlet Common Sense and The American Crisis writings are seen as playing a key role in influencing the political tone of the period. During the revolution itself, poems and songs such as "Yankee Doodle" and "Nathan Hale" were popular. Major satirists included John Trumbull and Francis Hopkinson. Philip Morin Freneau also wrote important poems about the war's course. Early U.S. literature In the post-war period, The Federalist essays by Alexander Hamilton, James Madison, and John Jay represent an important and historical discussion of government organization and republican values. Thomas Jefferson's Declaration of Independence, his influence on the Constitution, his autobiography, and the mass of his letters have led to him being considered one of the most talented early American writers. Fisher Ames, James Otis, and Patrick Henry are also valued for their political writings and orations. The first American novel is sometimes considered to be William Hill Brown's The Power of Sympathy (1789). Much of the early literature of the new nation struggled to find a uniquely American voice. European forms and styles were often transferred to new locales and critics often saw them as inferior. For example, Wieland and other novels by Charles Brockden Brown (1771-1810) are often seen as imitations of the Gothic novels then being written in England. Unique American style With the War of 1812 and an increasing desire to produce uniquely American work, a number of key new literary figures appeared, perhaps most prominently Washington Irving, William Cullen Bryant, James Fenimore Cooper, and Edgar Allan Poe. Irving, often considered the first writer to develop a unique American style (although this is debated) wrote humorous works in Salmagundi and the well-known satire A History of New York, by Diedrich Knickerbocker (1809). Bryant wrote early romantic and nature-inspired poetry, which evolved away from their European origins. In 1835, Poe began writing short stories -- including The Masque of the Red Death, The Pit and the Pendulum, The Fall of the House of Usher, and The Murders in the Rue Morgue -- that explore previously hidden levels of human psychology and push the boundaries of fiction toward mystery and fantasy. Cooper's Leatherstocking tales about Natty Bumppo were popular both in the new country and abroad. Humorous writers were also popular and included Seba Smith and Benjamin P. Shillaber in New England and Davy Crockett, Augustus Baldwin Longstreet, Johnson J. Hooper, Thomas Bangs Thorpe, Joseph G. Baldwin, and George Washington Harris writing about the American frontier. The New England Brahmins were a group of writers connected to Harvard University and its seat in Cambridge, Massachusetts. The core included James Russell Lowell, Henry Wadsworth Longfellow, and Oliver Wendell Holmes, Sr. In 1836, Ralph Waldo Emerson (1803-1882), an ex-minister, published a startling nonfiction work called Nature, in which he claimed it was possible to dispense with organized religion and reach a lofty spiritual state by studying and responding to the natural world. His work influenced not only the writers who gathered around him, forming a movement known as Transcendentalism, but also the public, who heard him lecture. Emerson's most gifted fellow-thinker was perhaps Henry David Thoreau (1817-1862), a resolute nonconformist. After living mostly by himself for two years in a cabin by a wooded pond, Thoreau wrote Walden, a book-length memoir that urges resistance to the meddlesome dictates of organized society. His radical writings express a deep-rooted tendency toward individualism in the American character. Other writers influenced by Transcendentalism were Bronson Alcott, Margaret Fuller, George Ripley, Orestes Brownson, and Jones Very. The political conflict surrounding Abolitionism inspired the writings of William Lloyd Garrison and his paper The Liberator, along with poet John Greenleaf Whittier and Harriet Beecher Stowe in her world-famous Uncle Tom's Cabin. In 1837, the young Nathaniel Hawthorne (1804-1864) collected some of his stories as Twice-Told Tales, a volume rich in symbolism and occult incidents. Hawthorne went on to write full-length "romances," quasi-allegorical novels that explore such themes as guilt, pride, and emotional repression in his native New England. His masterpiece, The Scarlet Letter, is the stark drama of a woman cast out of her community for committing adultery. Hawthorne's fiction had a profound impact on his friend Herman Melville (1819-1891), who first made a name for himself by turning material from his seafaring days into exotic novels. Inspired by Hawthorne's example, Melville went on to write novels rich in philosophical speculation. In Moby Dick, an adventurous whaling voyage becomes the vehicle for examining such themes as obsession, the nature of evil, and human struggle against the elements. In another fine work, the short novel Billy Budd, Melville dramatizes the conflicting claims of duty and compassion on board a ship in time of war. His more profound books sold poorly, and he had been long forgotten by the time of his death. He was rediscovered in the early decades of the 20th century. American lyric
Realism, Twain, and James
Turn of the century
Theater In addition to fiction, the 1920s and 1930s were a rich period for drama. There had not been an important American dramatist until Eugene O'Neill (1888-1953) began to write his plays. The 1936 winner of the Nobel Prize in Literature, O'Neill drew upon classical mythology, the Bible, and the new science of psychology to explore inner life. He wrote frankly about sex and family quarrels, but his preoccupation was with the individual's search for identity. One of his greatest works is Long Day's Journey Into Night, a harrowing drama, small in scale but large in theme, based largely on his own family. Another strikingly original American playwright was Tennessee Williams (1911-1983), who expressed his southern heritage in poetic yet sensational plays, usually about a sensitive woman trapped in a brutish environment. Several of his plays have been made into films, including A Streetcar Named Desire and Cat on a Hot Tin Roof. Other playwrights of the period were Maxwell Anderson, Marc Connelly, Elmer Rice, Lillian Hellman, Clifford Odets, Thornton Wilder, and William Saroyan. Post-World War II There were a number of major American war novels written in the wake of World War II. Some of the most well known included Norman Mailer's The Naked and the Dead (1948), novels by Irwin Shaw and James Jones, and later Joseph Heller (Catch-22) and Kurt Vonnegut, Jr. (Slaughterhouse-Five). In the 1950s the West Coast spawned a literary movement, the poetry and fiction of the "Beat Generation," a name that referred simultaneously to the rhythm of jazz music, to a sense that post-war society was worn out, and to an interest in new forms of experience through drugs, alcohol, and Eastern mysticism. Poet Allen Ginsberg (1926-1997) set the tone of social protest and visionary ecstasy in Howl, a Whitmanesque work that begins: "I saw the best minds of my generation destroyed by madness....". Jack Kerouac (1922-1969) celebrated the Beats' rollicking, spontaneous, and vagrant life-style in his masterful and vibrant novel On the Road. Gore Vidal also rose to prominence as a writer during this period. Postmodernism From the early 1960s through the late 1980s, an important literary movement was postmodernism. Important writers, here, are Thomas Pynchon, author of V. and Gravity's Rainbow, among other things, and Don Delillo, who wrote White Noise. Postmodern writers dealt directly with the way that popular culture and mass media influence the average American's perception and experience of the world. They would set scenes in fast food restaurants, on subways, or in shopping malls; they wrote about drugs, plastic surgery, and television commercials. Sometimes, these depictions look almost like celebrations. But simultaneously, writers in this school take a knowing, self-conscious, sarcastic, and (some critics would say) condescending attitude towards their subjects. Post-Postmodernism and other recent movements Since 1970, rising along with a literary trend in literature focusing on the minorities, has been a new semi-populist literary trend which has taken hints in terms of some approaches of stylization with postmodernism but that is much more accessible. Authors of this vein include John Irving and T.C. Boyle. Post-Postmodernism, a rather heavy title for an ongoing movement that started in the 1990s, includes younger writers like David Foster Wallace, Dave Eggers, Bret Easton Ellis, Michael Chabon, Jeffrey Eugenides, James Robert Baker and Audrey Niffenegger. These authors typically employ a mix of soulful plots with some ideological context, stylistic maximalism on top of the substance allowing the substance to be "turned and pinched" many ways (including an almost endless array of storyline-bending and repositioning effects), an almost pop-culture level of enhanced imagery and scene structure influenced by film and television, and a symbolism that includes images from contemporary American culture. This movement can also be called "maximalism", with its blowing melodrama, use of literary effects, and scale of cultural reference. As well, commentary on the literary process and modes of thought and storytelling and an ambiguous and very close relation between reality and fiction are often features of post-postmodernism. Many critics criticize post-postmodernism for its use of style over true substance in some worse cases, though it can often strike a fine accord between these. Modern humorist literature From Irving and Hawthorne to the present day, the short story has been a favorite American form. One of its 20th-century masters was John Cheever (1912-1982), who brought yet another facet of American life into the realm of literature: the affluent suburbs that have grown up around most major cities. Cheever was long associated with The New Yorker, a magazine noted for its wit and sophistication. John Updike also continued Cheever's tradition and is best known for his Rabbit series which began with Rabbit Run. Southern literature Faulkner was part of a southern literary renaissance that also included such figures as Truman Capote (1924-1984) and Flannery O'Connor (1925-1964). Although Capote wrote short stories and novels, fiction and nonfiction, his masterpiece was In Cold Blood, a factual account of a multiple murder and its aftermath, which fused dogged reporting with a novelist's penetrating psychology and crystalline prose. Another practitioner of the "nonfiction novel," Tom Wolfe (1931- ) was one of the founders of "New Journalism," who honed his art in such essays as The Kandy-Kolored Tangerine-Flake Streamline Baby and Radical Chic before he moved on to book-length efforts, such as his history of the American manned space program The Right Stuff and probably his best-known novel Bonfire of the Vanities. Other writers steeped in the Southern tradition include John Kennedy Toole (1937–1969) and Tom Robbins (1936- ). Flannery O'Connor was a Catholic, and thus an outsider in the heavily Protestant South in which she grew up. Her characters are Protestant fundamentalists obsessed with both God and Satan. She is best known for her tragicomic short stories. See also: Southern Gothic African American literature African American literature is literature written by, about, and sometimes specifically for African-Americans. The genre began during the 18th and 19th centuries with writers such as poet Phillis Wheatley and orator Frederick Douglass. Among the themes and issues explored in African American literature are the role of African Americans within the larger American society, African American culture, racism, slavery, and equality. Before the American Civil War, African American literature primarily focused on the issue of slavery, as indicated by the popular subgenre of slave narratives. At the turn of the 20th century, books by authors such as W.E.B. Du Bois and Booker T. Washington debated whether to confront or appease racist attitudes in the United States. African American literature saw a surge during the 1920s with the rise of an artistic Black community in the New York City neighborhood of Harlem. The period called the Harlem Renaissance produced such gifted poets as Langston Hughes (1902-1967), Countee Cullen (1903-1946), and Claude McKay (1889-1948). The novelist Zora Neale Hurston (1903-1960) combined a gift for storytelling with the study of anthropology to write vivid stories from the African-American oral tradition. Through such books as the novel Their Eyes Were Watching God — about the life and marriages of a light-skinned African-American woman — Hurston influenced a later generation of black women novelists. After World War II, a new receptivity to diverse voices brought black writers into the mainstream of American literature. James Baldwin (1924-1987) expressed his disdain for racism and his celebration of sexuality in Giovanni's Room. In Invisible Man, Ralph Ellison (1914-1994) linked the plight of African Americans, whose race can render them all but invisible to the majority white culture, with the larger theme of the human search for identity in the modern world. Today, African American literature has become accepted as an integral part of American literature, with books in the genre, such as Roots: The Saga of an American Family by Alex Haley and The Color Purple by Alice Walker, achieving both best-selling and award-winning status. In addition, African American authors such as Toni Morrison are ranked among the top writers in the United States. Jewish American literature The United States has had a community and tradition of writing by Jewish immigrants and their descendants for a long time, although many writers have objected to being reduced to "Jewish" writers alone. Key modern writers with Jewish origins are Saul Bellow, Philip Roth, Bernard Malamud, Grace Paley, Isaac Bashevis Singer, Chaim Potok, Isaac Asimov, and Woody Allen, among others. The New Yorker has been especially instrumental in exposing many Jewish-American writers to a wider reading public. Other ethnic, minority, and immigrant literatures See also: Gay literature, List of Native American writers, Hispanic-American literature, List of Asian American Writers Native American writer Leslie Marmon Silko (1948- ) uses colloquial language and traditional stories to fashion haunting, lyrical poems such as In Cold Storm Light. Amy Tan (1952- ), of Chinese descent, has described her parents' early struggles in California in The Joy Luck Club. Oscar Hijuelos (1951- ), a writer with roots in Cuba, won the 1991 Pulitzer Prize for his novel The Mambo Kings Play Songs of Love. In a series of novels beginning with A Boy's Own Story, Edmund White (1940- ) has captured the anguish and comedy of growing up gay in America. Other genres Dashiell Hammett and Raymond Chandler pioneered gritty detective fiction that has had great influence on other genres and in other countries. For example, Hammett's novel, Red Harvest, is considered the inspiration for Japanese director Akira Kurosawa's film, Yojimbo (film); Yojimbo was remade twice: first as Sergio Leone's film, A Fistful of Dollars, and again as Last Man Standing (film), starring Bruce Willis. Stephen King has been especially successful internationally with his horror fiction. The United States has also played a key role in the development of science fiction with authors like Isaac Asimov, Ray Bradbury, Harlan Ellison, Robert A. Heinlein, Philip K. Dick, and many others. See the article on digital poetry for links to contemporary American work of the avant garde. See also | |||||||||||||
|
| ||||||||||||||
 |
|
| |